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Daniel Posada

Daniel Posada

Producer, director and writer · Born March 19, 1985 (41) · Cali, Colombia

Daniel Posada was born on 19 March 1985 in Cali, Colombia. Daniel is a producer and writer, known for El Chapo (2017), Bound to Vengeance (2015) and Deadtectives (2018).

Biography from IMDb.

Born
March 19, 1985 (41)
From
Cali, Colombia
Works as
Producer, director and writer
Titles
14 on MovieCove · 15 credits in all
TMDB popularity, last 156 days to Oct 27Up 16% in 30 days

What are Daniel Posada's films like?

Across their 13 MovieCove titles with a thematic analysis, their films lean Survival and Bonds.

What they feel like to watch

their average across 12 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 4 · Serious 1 · Dark 7

Grounded 9 · Stylized 3 · Heightened 0

Gentle 1 · Charged 7 · Intense 4

Steady 4 · Shifting 6 · Whiplash 2

A split, not a type: Straight-faced 7 · Some laughs 1 · Funny 4

Slow burn 4 · Even-paced 6 · Relentless 2

Casual 6 · Engaged 6 · Full focus 0

A split, not a type: Easy watch 5 · Affecting 4 · Heavy 3

Resolved 8 · Open-ended 2 · Ambiguous 2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Daniel Posada's films?

As of October 24, 2026, 9 of their 14 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Daniel Posada's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

15 credits, 14 with a MovieCove page.

  • The Other Side(2024)

    Director · Producer · Writer

    Midcredits score: 92nd percentile of all films
  • There Are No Saints(2022)

    Executive Producer

    Midcredits score: 22nd percentile of all films
  • Deadtectives(2018)

    Producer

    Midcredits score: 51st percentile of all films
  • Tijuana(2019)

    Show Director · Creator · Producer · Writer

    Midcredits score: 48th percentile of all shows
  • The Bad Guys (not in the MovieCove catalog yet)(2018)

    Executive Producer · Producer

  • El Chapo(2017)

    Show Creator

    Midcredits score: 85th percentile of all shows
  • Opening Night(2016)

    Producer

    Midcredits score: 38th percentile of all films
  • Km 31-2(2016)

    Producer

    Midcredits score: 19th percentile of all films
  • Bound to Vengeance(2015)

    Producer

    Midcredits score: 26th percentile of all films
  • Archivo 253(2015)

    Executive Producer

    Midcredits score: 11th percentile of all films
  • El Más Buscado(2014)

    Executive Producer

    Midcredits score: 63rd percentile of all films
  • Midcredits score: 41st percentile of all films
  • Demon Inside(2013)

    Executive Producer

    Midcredits score: 15th percentile of all films
  • I Hate Love(2012)

    Producer

    Midcredits score: 61st percentile of all films
  • Bad Adventure(2011)

    Producer

    Midcredits score: 14th percentile of all films

Career shape

A full career of 11 titles from 2013 to 2024.

By role

only this rolewith another role
Directing1 of 11: 0 only directing, 1 with another roleWriting1 of 11: 0 only writing, 1 with another roleProducing8 of 11: 8 only producing, 0 with another role · typical Midcredits score26thOther crew2 of 11: 2 only other crew, 0 with another role

By decade

2010s9 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Daniel Posada's films land?

Their typical MovieCove film has a Midcredits score in the 32nd percentile, the median of all 12; across their 12 films with reception data, the typical film sits in the 31st percentile for acclaim.

Acclaim · how much people like their films

31stpercentile
Typical film, the median of 12

Approval · how many liked their films

31stpercentile
Typical film, the median of 12

Reach · how many have seen their films

67thpercentile
Typical film, the median of 12

Midcredits score across 14 titles, by percentile

  • 75th and up2
  • 50th to 74th3
  • 25th to 49th4
  • Below 25th5

Reviewers score the atmosphere 53/100 and the pacing 44/100 in their films, across 8 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Daniel Posada work with?

People who share at least 2 of Daniel Posada's MovieCove titles, grouped by what they did on them; Rodolfo Marquez shares the most, 8.

Directors

Actors

Composers, cinematographers and editors

Producers