- Hong Kong, British Crown Colony
- Writer, also director
- 10 on MovieCove · 18 credits in all
What are Tin Shu Mak's films like?
Across their 8 MovieCove titles with a thematic analysis, their films lean Morality and Survival.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 1 · Earnest 6
Light 0 · Serious 2 · Dark 6
Grounded 1 · Stylized 5 · Heightened 2
Gentle 0 · Charged 2 · Intense 6
Steady 0 · Shifting 7 · Whiplash 1
Straight-faced 6 · Some laughs 1 · Funny 1
Slow burn 1 · Even-paced 2 · Relentless 5
Casual 0 · Engaged 6 · Full focus 2
Easy watch 0 · Affecting 6 · Heavy 2
Resolved 6 · Open-ended 1 · Ambiguous 1
Moods and endings
- Happy1
- Bittersweet5
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Tin Shu Mak's films?
As of October 24, 2026, 7 of their 10 MovieCove titles stream on a subscription or free service, most on Tubi (4).
Subscription and free streaming for Tin Shu Mak's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
18 credits, 10 with a MovieCove page.
Dog Day Evening(2026)
Midcredits score: 88th percentile of all films
The Furious(2025)
Midcredits score: 90th percentile of all films
Cesium Fallout(2024)
Midcredits score: 55th percentile of all films
Warriors of Future(2022)
Midcredits score: 37th percentile of all films
Detective vs. Sleuths(2022)
Midcredits score: 49th percentile of all films
Ember in the Land of Nothingness (not in the MovieCove catalog yet)(2022)
Once Upon A Time in Hoi Shing Road (not in the MovieCove catalog yet)(2020)
Chasing Dream (not in the MovieCove catalog yet)(2019)
Sisyphus Dreaming (not in the MovieCove catalog yet)(2018)
Three(2016)
Midcredits score: 41st percentile of all films
Trivisa(2016)
Midcredits score: 80th percentile of all films
An Indigo (not in the MovieCove catalog yet)(2015)
Two Thumbs Up(2015)
Midcredits score: 47th percentile of all films
Kung Fu Jungle(2014)
Midcredits score: 61st percentile of all films
Remington (not in the MovieCove catalog yet)(2013)
The True Story Of Ah Poon (not in the MovieCove catalog yet)(2010)
14 Blades(2010)
Midcredits score: 52nd percentile of all films
The Monk (not in the MovieCove catalog yet)(2008)
Career shape
A full career of 18 titles from 2008 to 2026.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Tin Shu Mak's films land?
Their typical MovieCove film has a Midcredits score in the 54th percentile, the median of all 10; across their 8 films with reception data, the typical film sits in the 60th percentile for acclaim.
- 75th and up3
- 50th to 74th3
- 25th to 49th4
Shape of the crowd
None of their 10 titles divides audiences: 6 are Crowd Pleasers.
- Crowd Pleaser6
- Broadly Agreed3
- Mixed1
Reviewers score the dialogue 43/100 and the plot and story 50/100 in their films, across 7 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Tin Shu Mak work with?
People who share at least 2 of Tin Shu Mak's MovieCove titles, grouped by what they did on them; Ho-Leung Lau shares the most, 4.
Writers
- Ho-Leung LauShared titles: Warriors of Future (2022), Three (2016), Kung Fu Jungle (2014), 14 Blades (2010)See all 4 shared titles with Ho-Leung Lau
Actors
- Fish LiewShared titles: Dog Day Evening (2026), Cesium Fallout (2024)See all 2 shared titles with Fish Liew
- Kwan-Ho TseShared titles: Cesium Fallout (2024), Warriors of Future (2022)See all 2 shared titles with Kwan-Ho Tse
- Louis KooShared titles: Warriors of Future (2022), Three (2016)See all 2 shared titles with Louis Koo
- Philip KeungShared titles: Warriors of Future (2022), Trivisa (2016)See all 2 shared titles with Philip Keung
Editors
- Ka-Fai CheungShared titles: Cesium Fallout (2024), Kung Fu Jungle (2014)See all 2 shared titles with Ka-Fai Cheung
- Allen LeungShared titles: Three (2016), Trivisa (2016)See all 2 shared titles with Allen Leung
- David M. RichardsonShared titles: Three (2016), Trivisa (2016)See all 2 shared titles with David M. Richardson
Producers
- William KongShared titles: The Furious (2025), Cesium Fallout (2024)See all 2 shared titles with William Kong
- Peter LamShared titles: Warriors of Future (2022), Trivisa (2016)See all 2 shared titles with Peter Lam
- Johnnie ToShared titles: Three (2016), Trivisa (2016)See all 2 shared titles with Johnnie To
- Nai-Hoi YauShared titles: Three (2016), Trivisa (2016)See all 2 shared titles with Nai-Hoi Yau
Mixed roles
- Frank HuiShared titles: The Furious (2025), Trivisa (2016)See all 2 shared titles with Frank Hui
