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Olga Kagan

Olga Kagan

Producer

Born in Moscow, Russia, Olga studied Philosophy at Wellesley College. She comes from New York Off Broadway Theater scene where back in the late 90s and early 2000s she helped with the development and production at the New Group and Rattlestick Theaters. She Executive Produced Arthur Miller's "Creation Of The World and Other Business" with Paul Sparks, Riverside Theater ("Time Out", Oct. 2001) and co-produced "Trumbo" at West Side Theater (NY Times, Sept. 2003). In the film world, Olga Executive Produced the completion of Orson Welles' "The Other Side Of The Wind" (Netflix) and "Valley Of The Gods" (with John Malkovich and Josh Hartnett). Olga Produced "Lost Transmissions" (with Simon Pegg and Juno Temple) which premiered at Tribeca Film Festival in 2019. She Executive Produced "Mosquito State" directed by Filip Jan Rymsza and premiering at the 77th Venice Film Festival.

Read more

Biography from IMDb.

Works as
Producer
Titles
4 on MovieCove

What are Olga Kagan's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Power and Survival.

Themes

share of theme weight
Power
48%
Survival
20%
Self
14%
Ideas
7%
Morality
6%
Society
4%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Ironic 2 · Wry 0 · Earnest 2

Light 0 · Serious 1 · Dark 3

A split, not a type: Grounded 2 · Stylized 0 · Heightened 2

Gentle 0 · Charged 2 · Intense 2

A split, not a type: Steady 1 · Shifting 1 · Whiplash 2

A split, not a type: Straight-faced 3 · Some laughs 0 · Funny 1

Slow burn 3 · Even-paced 1 · Relentless 0

Casual 0 · Engaged 2 · Full focus 2

A split, not a type: Easy watch 1 · Affecting 0 · Heavy 3

Resolved 0 · Open-ended 2 · Ambiguous 2

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
4
Melancholic
3
Elegiac
2
Dread
1
Absurd
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Olga Kagan's films?

As of October 24, 2026, all 4 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Olga Kagan's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

  • Coup!(2023)

    Producer

    Midcredits score: 57th percentile of all films
  • Mosquito State(2020)

    Producer

    Midcredits score: 19th percentile of all films
  • Lost Transmissions(2019)

    Producer

    Midcredits score: 20th percentile of all films
  • Midcredits score: 75th percentile of all films

Career shape

Across a limited sample of 4 MovieCove titles from 2018 to 2023.

By role

only this rolewith another role
Producing4 of 4: 4 only producing, 0 with another role

By decade

2010s2 · crew2020s2 · crew

Counts over their MovieCove titles; a title counts in every role they held on it.

How do Olga Kagan's films land?

Their typical MovieCove film has a Midcredits score in the 39th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 43rd percentile for acclaim.

Acclaim · how much people like their films

43rdpercentile
Typical film, the median of 4

Approval · how many liked their films

40thpercentile
Typical film, the median of 4

Reach · how many have seen their films

73rdpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 75th and up1
  • 50th to 74th1
  • Below 25th2

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Olga Kagan work with?

People who share at least 2 of Olga Kagan's MovieCove titles, grouped by what they did on them; Alyssa Swanzey shares the most, 3.

Actors

Editors

Producers