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Ahmet Kenan Bilgic

Ahmet Kenan Bilgic

Composer and producer · Born December 5, 1982 (43) · Adiyaman, Turkey

Ahmet Kenan Bilgiç is an award-winning multi-genre film composer, renowned singer/guitarist for the Turkish progressive band Gevende, and founder of LU Records, a niche soundtrack label and publishing company. He also worked as music supervisor for many projects. Bilgiç's diverse portfolio includes compositions for high-budget blockbusters and award-winning independent films such as "Butterflies," which won the Grand Jury Prize at the Sundance Film Festival in 2018, and Leylak, which was awarded Best Short Fiction at the Tribeca Film Fest 2021. Furthermore, he has served as a jury member at the Tallinn and Istanbul Film Festivals and since 2018, he is a member of the board at MSG, which is the association of composers in Turkey. Bilgiç has worked on various Netflix projects, including "Who Were We Running From?" which gained global attention as the most-watched series on the platform in April '23. Bilgiç's music is characterized by a contemporary approach that seamlessly blends global and world music elements with experimental flair, resulting in a sound that is both unique and innovative. Bilgiç founded creative music production studio Comfortnoise.co.UK in 2022, working globally between London and Istanbul.

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Biography from IMDb.

Born
December 5, 1982 (43)
From
Adiyaman, Turkey
Works as
Composer and producer
Titles
10 on MovieCove · 22 credits in all
TMDB popularity, last 64 days to Oct 27Down 10% in 30 days

What are Ahmet Kenan Bilgic's films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Self and Survival.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 2 · Serious 2 · Dark 3

Grounded 2 · Stylized 4 · Heightened 1

Gentle 0 · Charged 3 · Intense 4

A split, not a type: Steady 2 · Shifting 2 · Whiplash 3

A split, not a type: Straight-faced 4 · Some laughs 1 · Funny 2

A split, not a type: Slow burn 5 · Even-paced 2 · Relentless 0

Casual 3 · Engaged 3 · Full focus 1

A split, not a type: Easy watch 1 · Affecting 2 · Heavy 4

Resolved 2 · Open-ended 5 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
7
Dread
4
Melancholic
4
Absurd
2
Romantic
2
Other
7

How their films end · 2 with a twist

  • Bittersweet2
  • Tragic1
  • Ambiguous7

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Ahmet Kenan Bilgic's films?

As of October 24, 2026, 6 of their 10 MovieCove titles stream on a subscription or free service, most on Netflix (4).

Subscription and free streaming for Ahmet Kenan Bilgic's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

22 credits, 10 with a MovieCove page.

  • The Making of Michel Petite (not in the MovieCove catalog yet)(2025)

    Executive Producer · Music Supervisor

  • Old Money(2025)

    Show Composer

    Midcredits score: 6th percentile of all shows
  • Hakki(2024)

    Composer

    Midcredits score: 61st percentile of all films
  • Waves (not in the MovieCove catalog yet)(2024)

    Composer

  • Midcredits score: 53rd percentile of all films
  • Who Were We Running From?(2023)

    Show 7 episodes · Composer

    Midcredits score: 12th percentile of all shows
  • One Way (not in the MovieCove catalog yet)(2022)

    Composer

  • Pembe Eldiven (not in the MovieCove catalog yet)(2022)

    Co-Producer · Composer

  • Yakamoz S-245(2022)

    Show Composer

    Midcredits score: 21st percentile of all shows
  • Acayip (not in the MovieCove catalog yet)(2021)

    Composer

  • Grudge(2021)

    Composer

    Midcredits score: 29th percentile of all films
  • Leylak (not in the MovieCove catalog yet)(2021)

    Composer · Executive Producer

  • I’ll Leave You Two Alone (not in the MovieCove catalog yet)(2021)

    Composer

  • Draupadi Unleashed(2019)

    Composer

    Midcredits score: 26th percentile of all films
  • Green (not in the MovieCove catalog yet)(2018)

    Executive Producer

  • Butterflies(2018)

    Composer

    Midcredits score: 91st percentile of all films
  • Overnight Republic(2017)

    Composer

    Midcredits score: 37th percentile of all films
  • Ecobalance (not in the MovieCove catalog yet)(2015)

    Composer

  • Lemonade (not in the MovieCove catalog yet)(2015)

    Composer

  • Ivy(2015)

    Composer · Producer

    Midcredits score: 98th percentile of all films
  • Ben de Özledim (not in the MovieCove catalog yet)(2013)

    Show 13 episodes · Composer

  • Bebek İşi (not in the MovieCove catalog yet)(2013)

    Show 34 episodes · Composer

Career shape

A full career of 18 titles from 2013 to 2025.

By role

only this rolewith another role
Producing4 of 18: 1 only producing, 3 with another roleMusic16 of 18: 14 only music, 2 with another role · typical Midcredits score49thOther crew1 of 18: 0 only other crew, 1 with another role

18 titles, 3 with more than one role — music and producing overlap on 2 of them.

By decade

2010s8 · crew2020s10 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Ahmet Kenan Bilgic's films land?

Their typical MovieCove film has a Midcredits score in the 53rd percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 55th percentile for acclaim.

Acclaim · how much people like their films

55thpercentile
Typical film, the median of 7

Approval · how many liked their films

49thpercentile
Typical film, the median of 7

Reach · how many have seen their films

78thpercentile
Typical film, the median of 7

Midcredits score across 10 titles, by percentile

  • 75th and up2
  • 50th to 74th2
  • 25th to 49th3
  • Below 25th3

Reviewers score the sound and music 53/100 in their films, across 4 reviewed titles; fans 71, detractors 45. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Ahmet Kenan Bilgic work with?

People who share at least 2 of Ahmet Kenan Bilgic's MovieCove titles, grouped by what they did on them; Tolga Karaçelik shares the most, 4.

Directors

Composers, cinematographers and editors

Producers