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Federico Conforti

Federico Conforti

Editor · Livorno, Tuscany, Italy

Federico Conforti is an award-winning editor based in Los Angeles, working across feature films, documentaries, scripted series and commercials. Born and raised in Tuscany, he first fell in love with storytelling as a stage performer, which eventually led him to film school and into the editing room. He began his career in Rome, working his way from assistant editor to editor before relocating to Los Angeles. Since then, he's had the privilege of working on acclaimed projects across the world, from independent films and documentaries to major studio and streaming productions, as well as commercials for the world's leading brands. What draws him to a project, regardless of format or scale, is its emotional journey. He learned early on that a story only works if you feel something true in it. He loves being a true creative partner to a director, tapping into their vision and finding the rhythm, pace, and emotion that bring it fully to life. Among his feature work is the Italian cult phenomenon LO CHIAMAVANO JEEG ROBOT (THEY CALL ME JEEG), for which he received the David di Donatello for Best Editing, Italy's equivalent of the Academy Awards. His documentary work includes ALMOST FAMOUS for The New York Times Op-Docs, THAT'S MY JAZZ for Breakwater Studios, BLOOD RIDER for Google, and the 2026 Oscar-nominated (for Best Song) feature documentary VIVA VERDI! Along the way, his work has been recognized by the Emmys, Sports Emmys, Webbys and James Beard Awards. Federico is a member of the Motion Picture Editors Guild, IATSE Local 700, of the European Film Academy and of the David di Donatello Academy.

Read more

Biography from TMDB.

From
Livorno, Tuscany, Italy
Works as
Editor
Titles
9 on MovieCove · 27 credits in all
TMDB popularity, last 38 days to Oct 27Down 8% in 30 days

What are Federico Conforti's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Survival and Self.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category

Light 2 · Serious 1 · Dark 4

A split, not a type: Grounded 5 · Stylized 1 · Heightened 1

Gentle 2 · Charged 3 · Intense 2

A split, not a type: Steady 4 · Shifting 1 · Whiplash 2

Straight-faced 6 · Some laughs 1 · Funny 0

Slow burn 5 · Even-paced 1 · Relentless 1

Casual 2 · Engaged 4 · Full focus 1

A split, not a type: Resolved 3 · Open-ended 2 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Dread
5
Tense
4
Warm
3
Thrilling
2
Melancholic
2
Other
6

How their films end · 1 with a twist

  • Happy1
  • Bittersweet3
  • Tragic1
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Federico Conforti's films?

As of October 24, 2026, 7 of their 9 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Subscription and free streaming for Federico Conforti's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

27 credits, 9 with a MovieCove page.

  • Viva Verdi! (not in the MovieCove catalog yet)(2025)

    Editor

  • Under the Stars(2025)

    Editor

    Midcredits score: 24th percentile of all films
  • The Coder (not in the MovieCove catalog yet)(2024)

    Editor

  • Midcredits score: 4th percentile of all films
  • Double Soul (not in the MovieCove catalog yet)(2023)

    Editor

  • Shattered(2022)

    Editor

    Midcredits score: 12th percentile of all films
  • The Imperfect Picture (not in the MovieCove catalog yet)(2021)

    Editor

  • Calvin (not in the MovieCove catalog yet)(2020)

    Editor

  • Nahjum (not in the MovieCove catalog yet)(2020)

    Editor

  • Blood Rider (not in the MovieCove catalog yet)(2020)

    Editor

  • The Last Supper (not in the MovieCove catalog yet)(2020)

    Editor

  • The Lost Astronaut (not in the MovieCove catalog yet)(2019)

    Supervising Editor

  • The Other Fab Four (not in the MovieCove catalog yet)(2019)

    Supervising Editor

  • Kim I Am (not in the MovieCove catalog yet)(2019)

    Supervising Editor

  • The King of Fish and Chips (not in the MovieCove catalog yet)(2019)

    Editor

  • That's My Jazz (not in the MovieCove catalog yet)(2019)

    Editor

  • Across Sagittarius Street (not in the MovieCove catalog yet)(2019)

    Editor

  • Mrs. Genovese (not in the MovieCove catalog yet)(2018)

    Editor

  • Midcredits score: 35th percentile of all films
  • Dimension 404(2017)

    Show 1 episode · Editor · Lead Editor

    Midcredits score: 27th percentile of all shows
  • They Call Me Jeeg Robot(2015)

    Editorial Consultant

    Midcredits score: 83rd percentile of all films
  • A Little Lust(2015)

    Editor

    Midcredits score: 41st percentile of all films
  • The Ice Forest(2014)

    Co-Editor

    Midcredits score: 49th percentile of all films
  • The Last Shepherd (not in the MovieCove catalog yet)(2013)

    Post Production Assistant

  • Tiger Boy (not in the MovieCove catalog yet)(2012)

    Assistant Editor

  • Midcredits score: 4th percentile of all films
  • Silicon Valley Girl (not in the MovieCove catalog yet)

    Editor

Career shape

A full career of 23 titles, 22 of them dated from 2012 to 2025.

By role

only this rolewith another role
Editing19 of 23: 19 only editing, 0 with another roleOther crew4 of 23: 4 only other crew, 0 with another role

By decade

2010s13 · crew2020s9 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Federico Conforti's films land?

Their typical MovieCove film has a Midcredits score in the 30th percentile, the median of all 8; across their 7 films with reception data, the typical film sits in the 20th percentile for acclaim.

Acclaim · how much people like their films

20thpercentile
Typical film, the median of 7

Approval · how many liked their films

21stpercentile
Typical film, the median of 7

Reach · how many have seen their films

57thpercentile
Typical film, the median of 7

Midcredits score across 9 titles, by percentile

  • 75th and up1
  • 25th to 49th4
  • Below 25th4

Reviewers score the pacing 41/100 in their films, across 6 reviewed titles; fans 58, detractors 24. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Federico Conforti work with?

People who share at least 2 of Federico Conforti's MovieCove titles, grouped by what they did on them; Luis Prieto shares the most, 2.

Directors

Producers