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What are Michal Graidy's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.

Themes

share of theme weight
Bonds
36%
Survival
24%
Morality
20%
Self
13%
Power
4%
Society
4%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 1 · Serious 0 · Dark 2

Grounded 2 · Stylized 1 · Heightened 0

Gentle 0 · Charged 3 · Intense 0

Steady 2 · Shifting 1 · Whiplash 0

Straight-faced 2 · Some laughs 1 · Funny 0

Slow burn 3 · Even-paced 0 · Relentless 0

Casual 0 · Engaged 3 · Full focus 0

Resolved 0 · Open-ended 3 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
5
Tense
3
Contemplative
3
Bittersweet
2
Dread
1

How their films end · 1 with a twist

  • Bittersweet3
  • Tragic2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Michal Graidy's films?

As of October 24, 2026, 3 of their 5 MovieCove titles stream on a subscription or free service, most on Tubi (2).

Subscription and free streaming for Michal Graidy's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

5 credits, 5 with a MovieCove page.

  • Me'ila(2021)

    Show Producer

    Midcredits score: 73rd percentile of all shows (provisional, few ratings)
  • Our Boys(2019)

    Show Producer

    Midcredits score: 68th percentile of all shows
  • Midcredits score: 44th percentile of all films
  • Midcredits score: 45th percentile of all films
  • Footnote(2011)

    Producer

    Midcredits score: 84th percentile of all films

Career shape

Across their 5 MovieCove titles from 2011 to 2021.

By role

only this rolewith another role
Producing5 of 5: 5 only producing, 0 with another role · typical Midcredits score68th

By decade

2010s4 · crew2020s1 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Michal Graidy's films land?

Their typical MovieCove film has a Midcredits score in the 45th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 58th percentile for acclaim.

Acclaim · how much people like their films

58thpercentile
Typical film, the median of 3

Approval · how many liked their films

44thpercentile
Typical film, the median of 3

Reach · how many have seen their films

72ndpercentile
Typical film, the median of 3

Midcredits score across 5 titles, by percentile

  • 75th and up1
  • 50th to 74th2
  • 25th to 49th2

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Michal Graidy work with?

People who share at least 2 of Michal Graidy's MovieCove titles, grouped by what they did on them; David Mandil shares the most, 5.

Directors

Actors

Composers, cinematographers and editors

Producers