Masajirô Seki
- Producer
- 3 on MovieCove
What are Masajirô Seki's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 2 · Serious 1 · Dark 0
Grounded 0 · Stylized 2 · Heightened 1
Gentle 0 · Charged 3 · Intense 0
Steady 0 · Shifting 2 · Whiplash 1
Straight-faced 1 · Some laughs 1 · Funny 1
Slow burn 0 · Even-paced 2 · Relentless 1
A split, not a type: Casual 1 · Engaged 2 · Full focus 0
A split, not a type: Easy watch 1 · Affecting 2 · Heavy 0
A split, not a type: Resolved 1 · Open-ended 2 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Masajirô Seki's films?
As of October 24, 2026, 1 of their 3 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Masajirô Seki's titles on MovieCove; rent and buy are not counted.
Filmography
3 credits, 3 with a MovieCove page.
Flying Phantom Ship(1969)
Midcredits score: 68th percentile of all films
Puss in Boots(1969)
Midcredits score: 83rd percentile of all films
Horus: Prince of the Sun(1968)
Midcredits score: 65th percentile of all films
Career shape
Across a limited sample of 3 MovieCove titles from 1968 to 1969.
Counts over their MovieCove titles; a title counts in every role they held on it.
How do Masajirô Seki's films land?
Their typical MovieCove film has a Midcredits score in the 68th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 66th percentile for acclaim.
- 75th and up1
- 50th to 74th2
Shape of the crowd
None of their 3 titles divides audiences: 3 are Crowd Pleasers.
- Crowd Pleaser3
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Masajirô Seki work with?
People who share at least 2 of Masajirô Seki's MovieCove titles, grouped by what they did on them; Hiroshi Ôkawa shares the most, 3.
Actors
- Isamu TanonakaShared titles: Flying Phantom Ship (1969), Puss in Boots (1969)See all 2 shared titles with Isamu Tanonaka
- Yôko MizugakiShared titles: Puss in Boots (1969), Horus: Prince of the Sun (1968)See all 2 shared titles with Yôko Mizugaki
Editors
- Yutaka ChikuraShared titles: Puss in Boots (1969), Horus: Prince of the Sun (1968)See all 2 shared titles with Yutaka Chikura
Producers
- Hiroshi ÔkawaShared titles: Flying Phantom Ship (1969), Puss in Boots (1969), Horus: Prince of the Sun (1968)See all 3 shared titles with Hiroshi Ôkawa