Eduardo Henríquez

What are Eduardo Henríquez's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Eduardo Henríquez's films?

As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service, most on Tubi (2).

• Tubi2 titles, browse their movies on this service
  • Family Life (2017) · composer · free
  • The Future (2013) · composer · free

Subscription and free streaming for Eduardo Henríquez's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

7 credits, 3 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

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  Cuban Dancer (not in the MovieCove catalog yet)(2020)

  Composer
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  Camila's Awakening (not in the MovieCove catalog yet)(2018)

  Composer
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  Family Life(2017)

  Composer

  Midcredits score: 50th percentile of all films50^th
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  Voice Over (not in the MovieCove catalog yet)(2014)

  Composer
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  Videoclub (not in the MovieCove catalog yet)(2014)

  Composer
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  The Future(2013)

  Composer

  Midcredits score: 40th percentile of all films40^th
• 

  Bonsái(2011)

  Composer

  Midcredits score: 57th percentile of all films57^th

Career shape

A full career of 6 titles from 2011 to 2020.

Biggest box office

Bonsái (2011)

$49K worldwide

Highest rated

Bonsái (2011)

Midcredits 57^th

Most popular right now

The Future (2013)

How do Eduardo Henríquez's films land?

Their typical MovieCove film has a Midcredits score in the 50^th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 52^nd percentile for acclaim.

Shape of the crowd

None of their 3 titles divides audiences: 1 is Crowd Pleaser.

111

• Crowd Pleaser1
• Broadly Agreed1
• Mixed1

Most loved · composer

Bonsái (2011)

Midcredits 57^th · 51% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Eduardo Henríquez work with?

People who share at least 2 of Eduardo Henríquez's MovieCove titles, grouped by what they did on them; Cristián Jiménez shares the most, 3.