Yueting Jia

What are Yueting Jia's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Yueting Jia's films?

As of October 24, 2026, none of Yueting Jia's 3 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Yueting Jia's titles on MovieCove; rent and buy are not counted.

Filmography

3 credits, 3 with a MovieCove page.

• 

  Coming Home(2014)

  Producer

  Midcredits score: 89th percentile of all films89^th
• 

  All's Well, Ends Well 2012(2012)

  Producer

  Midcredits score: 11th percentile of all films11^th
• 

  The Bullet Vanishes(2012)

  Producer

  Midcredits score: 62nd percentile of all films62^nd

Career shape

Across a limited sample of 3 MovieCove titles from 2012 to 2014.

Biggest box office

Coming Home (2014)

$48M worldwide

Highest rated

Coming Home (2014)

Midcredits 89^th

How do Yueting Jia's films land?

Their typical MovieCove film has a Midcredits score in the 62^nd percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 64^th percentile for acclaim.

Shape of the crowd

2 of their 3 titles are Crowd Pleasers.

21

• Crowd Pleaser2
• Mixed1

Most divisive · producer

All's Well, Ends Well 2012 (2012)

57^th percentile spread · 35% rated it 4 or lower

Most loved · producer

Coming Home (2014)

Midcredits 89^th · 78% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Yueting Jia work with?

People who share at least 2 of Yueting Jia's MovieCove titles, grouped by what they did on them; Zhao Zhang shares the most, 3.