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MovieCove

Mary Solomon

Producer

Works as
Producer
Titles
7 on MovieCove
Links
IMDb (opens in a new tab)

Known for

What are Mary Solomon's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

Comedy4 titlesTypical Midcredits score: 60th percentile, at or above their average across these genres
: browse their Comedy movies
Crime2 titlesTypical Midcredits score: 32nd percentile
: browse their Crime movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Self
29%
Bonds
28%
Survival
16%
Society
14%
Morality
7%
Ideas
7%
Ambition3 titles, browse their movies with this themeFamily bonds3 titles, browse their movies with this themeRomantic love2 titles, browse their movies with this themeSurvival2 titles, browse their movies with this themeCommunity2 titles, browse their movies with this theme

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category
Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 5 · Stylized 2 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 2 · Charged 1 · Intense 4

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 2 · Shifting 3 · Whiplash 2

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 3 · Some laughs 2 · Funny 2

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 2 · Even-paced 5 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 1 · Engaged 5 · Full focus 1

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 5 · Open-ended 2 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Hopeful
3
Joyful
2
Absurd
3
Dread
2
Other
6

How their films linger

Thought-provoking2 titles, browse their movies with this aftertasteUnsettling2 titles, browse their movies with this aftertasteFeel-good2 titles, browse their movies with this aftertasteHopeful2 titles, browse their movies with this aftertaste

How their films end · 2 with a twist

  • Happy3
  • Bittersweet2
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Mary Solomon's films?

As of October 24, 2026, 5 of their 7 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Also on these channels

Subscription and free streaming for Mary Solomon's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

7 credits, 7 with a MovieCove page.

  • 8-Bit Christmas(2021)

    Producer

    Midcredits score: 69th percentile of all films

  • King Richard(2021)

    Producer

    Midcredits score: 95th percentile of all films

  • Villains(2019)

    Producer

    Midcredits score: 53rd percentile of all films

  • Welcome Home(2018)

    Producer

    Midcredits score: 13th percentile of all films

  • Ingrid Goes West(2017)

    Producer

    Midcredits score: 67th percentile of all films

  • The Good Neighbor(2016)

    Producer

    Midcredits score: 51st percentile of all films

  • The Deal(2008)

    Producer

    Midcredits score: 29th percentile of all films

Career shape

Across their 7 MovieCove titles from 2008 to 2021.

Biggest box office

King Richard (2021)

$40M worldwide

Highest rated

King Richard (2021)

Midcredits 95th

By role

only this rolewith another role
Producing7 of 7: 7 only producing, 0 with another role · typical Midcredits score53rd

By decade

2000s1 · crew2010s4 · crew2020s2 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Mary Solomon's films land?

Their typical MovieCove film has a Midcredits score in the 53rd percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 57th percentile for acclaim.

Acclaim · how much people like their films

57thpercentile
Typical film, the median of 7

Approval · how many liked their films

51stpercentile
Typical film, the median of 7

Reach · how many have seen their films

92ndpercentile
Typical film, the median of 7

Midcredits score across 7 titles, by percentile

  • 75th and up1
  • 50th to 74th4
  • 25th to 49th1
  • Below 25th1

Shape of the crowd

None of their 7 titles divides audiences: 3 are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser3
  • Broadly Agreed2
  • Mixed1

Most loved · producer

King Richard (2021)

Midcredits 95th · 87% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Mary Solomon's work okay for kids?

Across up to 6 MovieCove titles with content scores, profanity and alcohol & drugs run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore6 titles34–63 · median 45 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity6 titles15–56 · median 36 · moderatenear the median of all filmsMedian of all films: 32
Profanity6 titles38–76 · median 63 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs6 titles17–63 · median 46 · moderateheavier than most filmsMedian of all films: 33
Frightening / Intense6 titles29–64 · median 40 · moderatenear the median of all filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Mary Solomon work with?

People who share at least 2 of Mary Solomon's MovieCove titles, grouped by what they did on them; Allan Mandelbaum shares the most, 6.

Composers

Producers