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Thomas Campbell Jackson

Thomas Campbell Jackson

Producer

Works as
Producer
Titles
9 on MovieCove

What are Thomas Campbell Jackson's films like?

Across their 9 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

What they feel like to watch

their average across 9 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 5 · Serious 3 · Dark 1

Grounded 8 · Stylized 1 · Heightened 0

Gentle 4 · Charged 4 · Intense 1

Steady 6 · Shifting 3 · Whiplash 0

Straight-faced 6 · Some laughs 2 · Funny 1

Slow burn 7 · Even-paced 2 · Relentless 0

Casual 2 · Engaged 7 · Full focus 0

Resolved 4 · Open-ended 4 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Contemplative
7
Hopeful
5
Melancholic
3
Tense
2
Bittersweet
3
Other
4

How their films end · 2 with a twist

  • Happy2
  • Bittersweet5
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Thomas Campbell Jackson's films?

As of October 24, 2026, 7 of their 9 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Subscription and free streaming for Thomas Campbell Jackson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

9 credits, 9 with a MovieCove page.

  • The Librarians(2025)

    Producer

    Midcredits score: 93rd percentile of all films
  • Midcredits score: 88th percentile of all films (provisional, few ratings)
  • Son of Monarchs(2020)

    Producer

    Midcredits score: 44th percentile of all films
  • Bite Me(2019)

    Producer

    Midcredits score: 36th percentile of all films
  • Human Affairs(2018)

    Producer

    Midcredits score: 13th percentile of all films
  • Midcredits score: 50th percentile of all films
  • Art and Craft(2014)

    Producer

    Midcredits score: 87th percentile of all films
  • The Fly Room(2014)

    Producer

    Midcredits score: 39th percentile of all films
  • Particle Fever(2013)

    Producer

    Midcredits score: 93rd percentile of all films

Career shape

Across their 9 MovieCove titles from 2013 to 2025.

By role

only this rolewith another role
Producing9 of 9: 9 only producing, 0 with another role · typical Midcredits score50th

By decade

2010s6 · crew2020s3 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Thomas Campbell Jackson's films land?

Their typical MovieCove film has a Midcredits score in the 50th percentile, the median of all 9; across their 9 films with reception data, the typical film sits in the 43rd percentile for acclaim.

Acclaim · how much people like their films

43rdpercentile
Typical film, the median of 9

Approval · how many liked their films

66thpercentile
Typical film, the median of 9

Reach · how many have seen their films

36thpercentile
Typical film, the median of 9

Midcredits score across 9 titles, by percentile

  • 75th and up4
  • 50th to 74th1
  • 25th to 49th3
  • Below 25th1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Thomas Campbell Jackson work with?

People who share at least 2 of Thomas Campbell Jackson's MovieCove titles, grouped by what they did on them; Gerry Ohrstrom shares the most, 5.

Directors

Editors

Producers