Arwen Curry

What are Arwen Curry's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Self and Ideas.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Arwen Curry's films?

As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service, most on Tubi (2).

• Tubi2 titles, browse their movies on this service
  • Eames: The Architect & The Painter (2011) · producer · free
  • Regarding Susan Sontag (2014) · producer · free
• Curiosity Stream1 title
  • Eames: The Architect & The Painter (2011) · producer
• Fandor1 title, browse their movies on this service
  • Eames: The Architect & The Painter (2011) · producer

Subscription and free streaming for Arwen Curry's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

3 credits, 3 with a MovieCove page.

• 

  Worlds of Ursula K. Le Guin(2018)

  Director · Producer · Writer

  Midcredits score: 89th percentile of all films89^th
• 

  Regarding Susan Sontag(2014)

  Producer

  Midcredits score: 69th percentile of all films69^th
• 

  Eames: The Architect & The Painter(2011)

  Producer

  Midcredits score: 86th percentile of all films86^th

Career shape

Across a limited sample of 3 MovieCove titles from 2011 to 2018.

Biggest box office

Eames: The Architect & The Painter (2011)

$163K worldwide

Highest rated

Worlds of Ursula K. Le Guin (2018)

Midcredits 89^th

How do Arwen Curry's films land?

Their typical MovieCove film has a Midcredits score in the 86^th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 82^nd percentile for acclaim.

Shape of the crowd

None of their 3 titles divides audiences: 3 are Crowd Pleasers.

3

• Crowd Pleaser3

Most loved · director, writer, producer

Worlds of Ursula K. Le Guin (2018)

Midcredits 89^th · 79% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Arwen Curry work with?

People who share at least 2 of Arwen Curry's MovieCove titles, grouped by what they did on them; Camille Servan-Schreiber shares the most, 2.