Vanessa Pantley

What are Vanessa Pantley's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Vanessa Pantley's films?

As of October 24, 2026, 4 of their 5 MovieCove titles stream on a subscription or free service, most on Tubi (3).

• Tubi3 titles, browse their movies on this service
  • F.L.Y. (2023) · producer · free
  • Don Quixote (2015) · producer · free
  • Where We Disappear (2019) · producer · free
• MUBI1 title, browse their movies on this service
  • Plainclothes (2025) · producer
• Prime Video1 title, browse their movies on this service
  • Don Quixote (2015) · producer

Subscription and free streaming for Vanessa Pantley's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

5 credits, 5 with a MovieCove page.

• 

  Plainclothes(2025)

  Producer

  Midcredits score: 87th percentile of all films87^th
• 

  F.L.Y.(2023)

  Producer

  Midcredits score: 82nd percentile of all films82^nd
• 

  Painting Anna(2019)

  Director · Producer

  Midcredits score: 65th percentile of all films (provisional, few ratings)~65^th
• 

  Where We Disappear(2019)

  Producer

  Midcredits score: 14th percentile of all films14^th
• 

  Don Quixote(2015)

  Producer

  Midcredits score: 25th percentile of all films25^th

Career shape

Across their 5 MovieCove titles from 2015 to 2025.

Biggest box office

Plainclothes (2025)

$305K worldwide

Highest rated

Plainclothes (2025)

Midcredits 87^th

How do Vanessa Pantley's films land?

Their typical MovieCove film has a Midcredits score in the 65^th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 72^nd percentile for acclaim.

Shape of the crowd

2 of their 5 titles are Mixed.

1112

• Divisive1
• Cult Classic1
• Crowd Pleaser1
• Mixed2

Most divisive · director, producer

Painting Anna (2019)

97^th percentile spread · 42% rated it 4 or lower

Most loved · producer

Plainclothes (2025)

Midcredits 87^th · 73% liked

Reviewers score the atmosphere 72/100 and the pacing 54/100 in their films, across 4 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Vanessa Pantley work with?

People who share at least 2 of Vanessa Pantley's MovieCove titles, grouped by what they did on them; Nathan Matthew David shares the most, 3.