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Jessica Rose Weiss

Jessica Rose Weiss

Composer, also producer

After receiving a formidable musical education working for Academy Award-winning composers Hans Zimmer and Mychael Danna, composer Jessica Rose Weiss has quickly created an impressive body of work across multiple genres ranging from folk to electronic to classical. Jessica is the co-composer of Sony's hit "No Hard Feelings" starring Jennifer Lawrence as well as Sony/Amazon's "Cinderella," directed by Kay Cannon which was the #1 streaming film Worldwide. For this achievement, she won her first BMI Award. Additional Credits include Amazon's dramedy "Don't Make Me Go" starring John Cho as well as "The Independent" directed by Amy Rice, starring Brian Cox, John Cena & Jodie Turner Smith which premiered on Peacock. Upcoming films include Nicol Paone's crime caper "The Kill Room,"starring Samuel L. Jackson and Uma Thurman as well as Pierre Morel's action thriller "Canary Black." Jessica is an alumni of the Universal/Dreamworks Composers Initiative and a proud member of the Alliance for Women Film Composers In addition to her film work, Jessica's music has been performed on stages around the world, from The Globe Theater in London to The Joffrey Ballet in Chicago to The Wiltern Theater in LA.

Read more

Biography from IMDb.

Works as
Composer, also producer
Titles
40 on MovieCove · 55 credits in all
TMDB popularity, last 155 days to Oct 26Up 79% in 30 days

What are Jessica Rose Weiss' films like?

Across their 14 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 14 films
ToneFeelDemandtheir average · filled zone: the category

Light 9 · Serious 3 · Dark 2

Grounded 10 · Stylized 3 · Heightened 1

A split, not a type: Gentle 8 · Charged 5 · Intense 1

Steady 8 · Shifting 6 · Whiplash 0

A split, not a type: Straight-faced 5 · Some laughs 4 · Funny 5

A split, not a type: Slow burn 8 · Even-paced 5 · Relentless 1

Casual 11 · Engaged 3 · Full focus 0

Resolved 12 · Open-ended 2 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Warm
6
Hopeful
5
Contemplative
4
Joyful
4
Other
12

How their films end · 4 with a twist

  • Happy5
  • Bittersweet7
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jessica Rose Weiss' films?

As of October 24, 2026, 35 of their 40 MovieCove titles stream on a subscription or free service, most on Tubi (13).

Subscription and free streaming for Jessica Rose Weiss' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

55 credits, 40 with a MovieCove page.

  • Girls Like Girls(2026)

    Composer

    Midcredits score: 65th percentile of all films
  • Canary Black(2024)

    Composer

    Midcredits score: 23rd percentile of all films
  • Midnight Mission (not in the MovieCove catalog yet)(2024)

    Composer

  • The Kill Room(2023)

    Composer · Vocals

    Midcredits score: 24th percentile of all films
  • Heritage Day (not in the MovieCove catalog yet)(2023)

    Composer

  • No Hard Feelings(2023)

    Composer

    Midcredits score: 54th percentile of all films
  • A Good Person(2023)

    Thanks · as Keyboardist

    Midcredits score: 83rd percentile of all films
  • The Independent(2022)

    Composer

    Midcredits score: 35th percentile of all films
  • Root Letter(2022)

    Composer

    Midcredits score: 17th percentile of all films
  • 1UP(2022)

    Composer

    Midcredits score: 7th percentile of all films
  • Don't Make Me Go(2022)

    Composer

    Midcredits score: 69th percentile of all films
  • My Summer Vacation (not in the MovieCove catalog yet)(2022)

    Composer

  • Everything I Ever Wanted to Tell My Daughter About Men(2021)

    Composer · Music Editor · Producer

    Midcredits score: 21st percentile of all films (provisional, few ratings)
  • Still Working 9 to 5(2022)

    Composer

    Midcredits score: 93rd percentile of all films
  • The Addams Family 2(2021)

    Music Producer

    Midcredits score: 23rd percentile of all films
  • Cinderella(2021)

    Composer

    Midcredits score: 34th percentile of all films
  • Midcredits score: 41st percentile of all films
  • Dawn (not in the MovieCove catalog yet)(2021)

    Composer

  • American Horror Stories(2021)

    Show 1 episode · Composer

    Midcredits score: 33rd percentile of all shows
  • Jolt(2021)

    Vocals

    Midcredits score: 29th percentile of all films
  • Ripple Effect (not in the MovieCove catalog yet)(2021)

    Composer

  • Friendsgiving(2020)

    Composer

    Midcredits score: 6th percentile of all films
  • Lip Service (not in the MovieCove catalog yet)(2020)

    Composer

  • The Eight Hundred(2020)

    Additional Music

    Midcredits score: 75th percentile of all films
  • Buffaloed(2019)

    Music Editor

    Midcredits score: 52nd percentile of all films
  • The Addams Family(2019)

    Additional Music

    Midcredits score: 37th percentile of all films
  • Trouble(2019)

    Composer

    Midcredits score: 38th percentile of all films
  • Burying Yasmeen(2019)

    Composer

    Midcredits score: 12th percentile of all films
  • A Dog's Way Home(2019)

    Additional Music

    Midcredits score: 70th percentile of all films
  • Masculine/masculine (not in the MovieCove catalog yet)(2018)

    Composer

  • Extinction(2018)

    Additional Music

    Midcredits score: 31st percentile of all films
  • Liza on Demand (not in the MovieCove catalog yet)(2018)

    Show 7 episodes · Composer

  • Alex, Inc.(2018)

    Show 10 episodes · Music Editor

    Midcredits score: 13th percentile of all shows
  • Charming(2018)

    Music Arranger

    Midcredits score: 27th percentile of all films
  • Everything's Gone Wrong! (not in the MovieCove catalog yet)(2018)

    Lyricist

  • The Last Tycoon(2016)

    Show 9 episodes · Music Editor

    Midcredits score: 73rd percentile of all shows
  • Hanuman Da Damdaar (not in the MovieCove catalog yet)(2017)

    Composer

  • Girl Unbound (not in the MovieCove catalog yet)(2016)

    Additional Music

  • Trivia Night(2016)

    Composer

    Midcredits score: 60th percentile of all films (provisional, few ratings)
  • Midcredits score: 79th percentile of all films
  • Home Sweet Hell(2015)

    Music Editor

    Midcredits score: 18th percentile of all films
  • Unbroken(2014)

    Music Editor

    Midcredits score: 88th percentile of all films
  • Transcendence(2014)

    Music Editor

    Midcredits score: 45th percentile of all films
  • Intuition (not in the MovieCove catalog yet)(2014)

    Composer

  • Noah(2014)

    Music Editor

    Midcredits score: 32nd percentile of all films
  • Farah Goes Bang(2013)

    Additional Music

    Midcredits score: 76th percentile of all films
  • Midcredits score: 71st percentile of all films
  • Girl Rising(2013)

    Music Editor

    Midcredits score: 81st percentile of all films
  • The Bible(2013)

    Show 5 episodes · Music Editor

    Midcredits score: 73rd percentile of all shows
  • Gangster Squad(2013)

    Music Editor

    Midcredits score: 61st percentile of all films
  • Midcredits score: 71st percentile of all films
  • Tooth Fairy 2(2012)

    Score Engineer · Scoring Mixer

    Midcredits score: 6th percentile of all films
  • Goldberg - P.I. (not in the MovieCove catalog yet)(2011)

    Sound Engineer

  • Greatest Night of Summer (not in the MovieCove catalog yet)

    Composer

  • Handle with Care (not in the MovieCove catalog yet)

    Composer

Career shape

A full career of 55 titles, 53 of them dated from 2011 to 2026.

By role

only this rolewith another role
Acting1 of 55: 0 only acting, 1 with another roleWriting1 of 55: 1 only writing, 0 with another roleMusic37 of 55: 35 only music, 2 with another role · typical Midcredits score36thOther crew19 of 55: 16 only other crew, 3 with another role · typical Midcredits score49th

55 titles, 3 with more than one role — music and other crew overlap on 2 of them.

By decade

2010s28 · crew2020s25 · 1 acting · 25 crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Jessica Rose Weiss' films land?

Their typical MovieCove film has a Midcredits score in the 40th percentile, the median of all 36; across their 14 films with reception data, the typical film sits in the 42nd percentile for acclaim.

Acclaim · how much people like their films

42ndpercentile
Typical film, the median of 14

Approval · how many liked their films

35thpercentile
Typical film, the median of 14

Reach · how many have seen their films

86thpercentile
Typical film, the median of 14

Midcredits score across 40 titles, by percentile

  • 75th and up7
  • 50th to 74th11
  • 25th to 49th11
  • Below 25th11

Reviewers score the sound and music 53/100 in their films, across 9 reviewed titles; fans 65, detractors 20. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Jessica Rose Weiss' work okay for kids?

Across up to 7 MovieCove titles with content scores, profanity runs heavier than most films and violence & gore, alcohol & drugs and frightening / intense lighter.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore5 titles16–57 · median 24 · mildlighter than most filmsMedian of all films: 44
Sex & Nudity7 titles16–66 · median 28 · mildnear the median of all filmsMedian of all films: 32
Profanity6 titles15–71 · median 47 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs5 titles10–41 · median 22 · mildlighter than most filmsMedian of all films: 33
Frightening / Intense5 titles14–31 · median 29 · mildlighter than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Jessica Rose Weiss work with?

People who share at least 2 of Jessica Rose Weiss' MovieCove titles, grouped by what they did on them; Mychael Danna shares the most, 2.

Composers

Producers

Mixed roles