R. Devarajan
- Editor
- 4 on Motif
What are R. Devarajan's films like?
Across a limited sample of 4 Motif titles with a thematic analysis, their films lean Morality and Bonds.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
A split, not a type: Light 1 · Serious 0 · Dark 3
Grounded 0 · Stylized 3 · Heightened 1
Gentle 0 · Charged 2 · Intense 2
Steady 2 · Shifting 2 · Whiplash 0
Straight-faced 3 · Some laughs 1 · Funny 0
Slow burn 3 · Even-paced 1 · Relentless 0
Casual 1 · Engaged 3 · Full focus 0
Easy watch 1 · Affecting 2 · Heavy 1
Resolved 4 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch R. Devarajan's films?
As of October 24, 2026, all 4 Motif titles stream on a subscription or free service.
Subscription and free streaming for R. Devarajan's titles on Motif; rent and buy are not counted.
Filmography
4 credits, 4 with a Motif page.
Ayiram Janmangal(1978)
Midcredits score: 48th percentile of all films (provisional, few ratings)
En Kelvikku Enna Bathil(1978)
Midcredits score: 21st percentile of all films (provisional, few ratings)
Sri Krishna Deva Raya(1970)
Midcredits score: 98th percentile of all films
Kandan Karunai(1967)
Midcredits score: 67th percentile of all films
Career shape
Across a limited sample of 4 Motif titles from 1967 to 1978.
How do R. Devarajan's films land?
Their typical Motif film has a Midcredits score in the 58th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 65th percentile for acclaim.
- 75th and up1
- 50th to 74th1
- 25th to 49th1
- Below 25th1
Shape of the crowd
2 of their 4 titles are Mixed.
- Divisive1
- Cult Classic1
- Mixed2
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does R. Devarajan work with?
People who share at least 2 of R. Devarajan's Motif titles, grouped by what they did on them; Aachi Manorama shares the most, 2.
Actors
- Aachi ManoramaShared titles: Ayiram Janmangal (1978), En Kelvikku Enna Bathil (1978)See all 2 shared titles with Aachi Manorama
- RajinikanthShared titles: Ayiram Janmangal (1978), En Kelvikku Enna Bathil (1978)See all 2 shared titles with Rajinikanth
- Suruli RajanShared titles: Ayiram Janmangal (1978), En Kelvikku Enna Bathil (1978)See all 2 shared titles with Suruli Rajan
- VijayakumarShared titles: Ayiram Janmangal (1978), En Kelvikku Enna Bathil (1978)See all 2 shared titles with Vijayakumar
Composers
- M.S. ViswanathanShared titles: Ayiram Janmangal (1978), En Kelvikku Enna Bathil (1978)See all 2 shared titles with M.S. Viswanathan
