Tamotsu Osano

What are Tamotsu Osano's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Society and Survival.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Tamotsu Osano's films?

As of October 24, 2026, 1 of their 3 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Tamotsu Osano's titles on MovieCove; rent and buy are not counted.

Filmography

3 credits, 3 with a MovieCove page.

• 

  Tokyo Ghoul(2017)

  Producer

  Midcredits score: 43rd percentile of all films43^rd
• 

  Midnight Diner 2(2016)

  Producer

  Midcredits score: 93rd percentile of all films93^rd
• 

  Midnight Diner(2014)

  Producer

  Midcredits score: 94th percentile of all films94^th

Career shape

Across a limited sample of 3 MovieCove titles from 2014 to 2017.

Biggest box office

Tokyo Ghoul (2017)

$5.1M worldwide

Highest rated

Midnight Diner (2014)

Midcredits 94^th

Most popular right now

Tokyo Ghoul (2017)

How do Tamotsu Osano's films land?

Their typical MovieCove film has a Midcredits score in the 93^rd percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 93^rd percentile for acclaim.

Shape of the crowd

2 of their 3 titles are Universally Loved.

21

• Universally Loved2
• Mixed1

Most divisive · producer

Tokyo Ghoul (2017)

56^th percentile spread · 22% rated it 4 or lower

Most loved · producer

Midnight Diner (2014)

Midcredits 94^th · 82% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Tamotsu Osano work with?

People who share at least 2 of Tamotsu Osano's MovieCove titles, grouped by what they did on them; Joji Matsuoka shares the most, 2.