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What are Jorge Constantino's films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

What they feel like to watch

their average across 10 films
ToneFeelDemandtheir average · filled zone: the category

Light 6 · Serious 3 · Dark 1

Grounded 7 · Stylized 1 · Heightened 2

Gentle 8 · Charged 1 · Intense 1

Steady 8 · Shifting 2 · Whiplash 0

Straight-faced 2 · Some laughs 5 · Funny 3

Slow burn 7 · Even-paced 3 · Relentless 0

Casual 9 · Engaged 1 · Full focus 0

Resolved 9 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
6
Hopeful
5
Contemplative
4
Warm
3
Romantic
2
Other
5

How their films end · 1 with a twist

  • Happy4
  • Bittersweet4
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jorge Constantino's films?

As of October 24, 2026, 9 of their 10 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Jorge Constantino's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 10 with a MovieCove page.

  • Chabuca(2024)

    Producer

    Midcredits score: 60th percentile of all films
  • Backpackers(2022)

    Producer

    Midcredits score: 36th percentile of all films
  • The House of Snails(2021)

    Producer

    Midcredits score: 23rd percentile of all films
  • Locos de Amor 3(2020)

    Producer

    Midcredits score: 31st percentile of all films (provisional, few ratings)
  • Intercambiadas(2019)

    Producer

    Midcredits score: 19th percentile of all films (provisional, few ratings)
  • ¡Asu Mare! 3(2018)

    Producer

    Midcredits score: 18th percentile of all films
  • El gran León(2018)

    Producer

    Midcredits score: 27th percentile of all films
  • Midcredits score: 54th percentile of all films
  • Av. Larco La Pelicula(2017)

    Producer

    Midcredits score: 33rd percentile of all films
  • Siete semillas(2016)

    Producer

    Midcredits score: 37th percentile of all films

Career shape

Across their 10 MovieCove titles from 2016 to 2024.

By role

only this rolewith another role
Producing10 of 10: 10 only producing, 0 with another role · typical Midcredits score32nd

By decade

2010s6 · crew2020s4 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Jorge Constantino's films land?

Their typical MovieCove film has a Midcredits score in the 32nd percentile, the median of all 10; across their 10 films with reception data, the typical film sits in the 38th percentile for acclaim.

Acclaim · how much people like their films

38thpercentile
Typical film, the median of 10

Approval · how many liked their films

27thpercentile
Typical film, the median of 10

Reach · how many have seen their films

35thpercentile
Typical film, the median of 10

Midcredits score across 10 titles, by percentile

  • 50th to 74th2
  • 25th to 49th5
  • Below 25th3

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Jorge Constantino work with?

People who share at least 2 of Jorge Constantino's MovieCove titles, grouped by what they did on them; Diego Vives shares the most, 8.

Directors

Actors

Composers, cinematographers and editors

Producers

Mixed roles