Jay Davis

What are Jay Davis' films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Survival and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jay Davis' films?

As of October 24, 2026, all 6 MovieCove titles stream on a subscription or free service, most on Tubi (3).

• Tubi3 titles, browse their movies on this service
  • Don't Come Back from the Moon (2017) · producer · free
  • As I Lay Dying (2013) · producer · free
  • The Pretenders (2018) · producer · free
• The Roku Channel2 titles, browse their movies on this service
  • Don't Come Back from the Moon (2017) · producer · free
  • As I Lay Dying (2013) · producer · free
• Pluto TV1 title, browse their movies on this service
  • Don't Come Back from the Moon (2017) · producer · free
• Prime Video1 title, browse their movies on this service
  • Don't Come Back from the Moon (2017) · producer

Subscription and free streaming for Jay Davis' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

6 credits, 6 with a MovieCove page.

• 

  Future World(2018)

  Producer · Writer

  Midcredits score: 1st percentile of all films1^st
• 

  The Pretenders(2018)

  Producer

  Midcredits score: 15th percentile of all films15^th
• 

  Don't Come Back from the Moon(2017)

  Producer

  Midcredits score: 32nd percentile of all films32^nd
• 

  The Institute(2017)

  Producer

  Midcredits score: 5th percentile of all films5^th
• 

  The Sound and the Fury(2014)

  Producer

  Midcredits score: 23rd percentile of all films23^rd
• 

  As I Lay Dying(2013)

  Producer

  Midcredits score: 27th percentile of all films27^th

Career shape

Across their 6 MovieCove titles from 2013 to 2018.

Biggest box office

Future World (2018)

$163K worldwide

Highest rated

Don't Come Back from the Moon (2017)

Midcredits 32^nd

Most popular right now

The Institute (2017)

How do Jay Davis' films land?

Their typical MovieCove film has a Midcredits score in the 19^th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 18^th percentile for acclaim.

Shape of the crowd

3 of their 6 titles are Mixed.

213

• Universally Panned2
• Cult Classic1
• Mixed3

Most divisive · producer

Don't Come Back from the Moon (2017)

85^th percentile spread · 33% rated it 4 or lower

Most loved · producer

Don't Come Back from the Moon (2017)

Midcredits 32^nd · 39% liked

Reviewers score the dialogue 28/100 and the plot and story 31/100 in their films, across 6 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Jay Davis' work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Jay Davis work with?

People who share at least 2 of Jay Davis' MovieCove titles, grouped by what they did on them; James Franco shares the most, 6.