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Donald Tang

Producer

Donald Tang is an American businessman and senior entertainment industry leader. He is founding partner of Tang Media Partners. Prior to his current position, he served as Vice Chairman, Bear, Stearns & Co. Inc., and Chairman of Bear Stearns Asia. He was born in Shanghai, China where his parents were college professors. A story titled "He Came For Love" in the Los Angeles Times, describes how Donald Tang at age 18 followed his girlfriend Jean to Los Angeles in 1982 after she and her family immigrated to America. Jean is now his wife. Working a series of restaurant jobs to finance his education, Donald graduated from California State Polytechnic University, Pomona, in 1986 with a degree in chemical engineering. Before founding Tang Media Partners, Mr. Tang was an investment banker responsible for a number of pioneering transactions involving China and the US. He began his career in finance after graduating from California State Polytechnic University, Pomona, joining Merrill Lynch & Co. in 1987. After moving to the Los Angeles office of Bear, Stearns & Co. Inc. in 1992 as Senior Managing Director Of Investment Banking, a steady stream of investment and professional successes followed. In 1993, he was appointed President and Chief Executive Officer of Bear Stearns Asia and moved to its Hong Kong office, subsequently being named Chairman of Bear Stearns Asia. From 1993 to 1999, he built up its Asian operations, opening offices in China and Singapore. While serving in Hong Kong, Donald Tang was elected to the Board of Directors of Bear Stearns & Co. in 1997. Mr. Tang was instrumental in advising an arm of the CITIC Group during its unprecedented $1.15 billion acquisition of Nations Energy in Kazakhstan. He led the Bear Stearns team representing Hunan Valin Group, a Chinese steel company, when it sold a 37 percent stake to Mittal Steel (now ArcelorMittal) in what was then the largest acquisition by an international strategic investor of a Chinese-listed firm. Following that deal, Lakshmi Mittal was quoted in the Financial Times saying, "Anyone seeking to do a major deal in China will learn about Donald Tang." Mr. Tang was instrumental in facilitating the deal that resulted in Dalian Wanda, a leading Chinese conglomerate, acquiring AMC Entertainment Holdings for $2.6B in 2012. And he personally played a key role in putting together a 2015 film slate financing package for STX Entertainment, a Hollywood motion picture and television studio. Under terms of the agreement, China's largest privately held film firm, Huayi Brothers Media Corp., joins in a three-year pact to finance 12-15 STX film projects per year. Mr. Tang receives Executive Producer credit on all films released under that agreement. Deadline Hollywood reported, "Key to the deal was Tang Media Partners' Donald Tang, who is the former chairman of Bear Stearns Asia who has strong relationships both inside the U.S. and with most major players in China." As the founder and managing partner of Tang Media Partners, Mr. Tang brings his intimate knowledge of Chinese business and culture to the intersection of Hollywood and China, which is the center of today's entertainment universe. Tang Media Partner's mission encompasses the development, financing, production and distribution of unique content for film, television, music, sports, education, fashion, games, and digital initiatives. Donald Tang's intimate familiarity with the realities of Hollywood, combined with deep insight into the Chinese market and culture, enables the company to leverage exceptional opportunities across this new global content ecosystem. In 2016, Tang Media Partners launched the "Tang Film Fund," providing slate financing for STX Entertainment feature films produced over the next three years. Tang Media Partners receives an "In Association With STX Entertainment" onscreen credit for all films released under this agreement. Donald Tang assembled and moderated a panel of senior Chinese and US entertainment industry executives in Los Angeles on April 18, 2016. Mr. Tang challenged the panelists to explain why today's foreign investors in Hollywood would find success when so many others had failed in the past. The participants in this unprecedented event, who had never appeared together as a group before, included Ari Emanuel of WME IMG, Jack Gao of Wanda Cultural Industry Group, Jim Gianopulos of 20th Century Fox, Li Ruigang of China Media Capital, Dominic Ng of East West Bank and Robert Simonds of STX Entertainment. The event took place in Los Angeles on April 16, 2016, as part of the annual conference of the Committee of 100.

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Biography from IMDb.

Works as
Producer
Titles
13 on MovieCove

What are Donald Tang's films like?

Across their 13 MovieCove titles with a thematic analysis, their films lean Morality and Self.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 13 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 4 · Serious 3 · Dark 6

Grounded 10 · Stylized 2 · Heightened 1

A split, not a type: Gentle 3 · Charged 3 · Intense 7

Steady 5 · Shifting 7 · Whiplash 1

A split, not a type: Straight-faced 7 · Some laughs 3 · Funny 3

Slow burn 1 · Even-paced 10 · Relentless 2

A split, not a type: Casual 7 · Engaged 3 · Full focus 3

A split, not a type: Easy watch 4 · Affecting 4 · Heavy 5

Resolved 10 · Open-ended 1 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
7
Dread
4
Melancholic
5
Thrilling
4
Absurd
3
Other
12

How their films end · 6 with a twist

  • Happy4
  • Bittersweet5
  • Tragic2
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Donald Tang's films?

As of October 24, 2026, 11 of their 13 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Donald Tang's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

13 credits, 13 with a MovieCove page.

  • The Rhythm Section(2020)

    Producer

    Midcredits score: 17th percentile of all films
  • Adopt a Highway(2019)

    Producer

    Midcredits score: 58th percentile of all films
  • Mile 22(2018)

    Producer

    Midcredits score: 40th percentile of all films
  • Peppermint(2018)

    Producer

    Midcredits score: 56th percentile of all films
  • Second Act(2018)

    Producer

    Midcredits score: 35th percentile of all films
  • The Happytime Murders(2018)

    Producer

    Midcredits score: 21st percentile of all films
  • A Bad Moms Christmas(2017)

    Producer

    Midcredits score: 31st percentile of all films
  • Molly's Game(2017)

    Producer

    Midcredits score: 92nd percentile of all films
  • The Bye Bye Man(2017)

    Producer

    Midcredits score: 4th percentile of all films
  • Bad Moms(2016)

    Producer

    Midcredits score: 51st percentile of all films
  • The Boy(2016)

    Producer

    Midcredits score: 37th percentile of all films
  • The Edge of Seventeen(2016)

    Producer

    Midcredits score: 89th percentile of all films
  • The Gift(2015)

    Producer

    Midcredits score: 81st percentile of all films

Career shape

Across their 13 MovieCove titles from 2015 to 2020.

By role

only this rolewith another role
Producing13 of 13: 13 only producing, 0 with another role · typical Midcredits score40th

By decade

2010s12 · crew2020s1 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Donald Tang's films land?

Their typical MovieCove film has a Midcredits score in the 40th percentile, the median of all 13; across their 13 films with reception data, the typical film sits in the 38th percentile for acclaim.

Acclaim · how much people like their films

38thpercentile
Typical film, the median of 13

Approval · how many liked their films

46thpercentile
Typical film, the median of 13

Reach · how many have seen their films

96thpercentile
Typical film, the median of 13

Midcredits score across 13 titles, by percentile

  • 75th and up3
  • 50th to 74th3
  • 25th to 49th4
  • Below 25th3

Shape of the crowd

None of their 13 titles divides audiences: 6 are Crowd Pleasers.

  • Universally Panned1
  • Crowd Pleaser6
  • Broadly Agreed3
  • Mixed3

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Donald Tang's work okay for kids?

Across up to 13 MovieCove titles with content scores, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore13 titles9–85 · median 46 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity13 titles15–60 · median 29 · mildnear the median of all filmsMedian of all films: 32
Profanity13 titles53–88 · median 69 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs13 titles23–64 · median 38 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense13 titles8–68 · median 53 · moderateheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Donald Tang work with?

People who share at least 2 of Donald Tang's MovieCove titles, grouped by what they did on them; Adam Fogelson shares the most, 11.

Directors

Actors

Composers, cinematographers and editors

Producers