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Erik Glijnis

Erik Glijnis

Producer

Erik Glijnis is a producer and partner at Lemming Film (NL/BE). Erik’s projects are unique in storytelling and cinematography; the films he has produced have been classified as experimental and groundbreaking, while also reaching a wide audience. In 2018, Erik was listed by Screen Daily as a future leader producer, and he is an ACE graduate. Lemming Film is one of the leading film and TV series production companies in the Netherlands and Belgium. Since 1995, the company’s aim has been to create high-quality productions that reflect contemporary society. The focus lies on both the national and international market, striving to work with the best local and international talent to reach a broad audience. In 2021, Lemming Film founded a new creative alliance with eight other independent production companies called "The Creatives," to jointly develop a slate of high-end drama series and feature films.

Read more

Biography from IMDb.

Works as
Producer
Titles
16 on MovieCove
Links
IMDb (opens in a new tab)

Known for

What are Erik Glijnis' films like?

Across their 16 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

Drama10 titlesTypical Midcredits score: 49th percentile
: browse their Drama movies
Biography2 titlesTypical Midcredits score: 78th percentile, at or above their average across these genres
: browse their Biography movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Self
37%
Bonds
19%
Survival
15%
Power
12%
Morality
9%
Society
9%
Identity5 titles, browse their movies with this themeAmbition3 titles, browse their movies with this themeComing of age2 titles, browse their movies with this themeMarriage2 titles, browse their movies with this themeFamily bonds4 titles, browse their movies with this themeCorruption2 titles, browse their movies with this themeGrief2 titles, browse their movies with this themeFriendship2 titles, browse their movies with this theme

What they feel like to watch

their average across 16 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 2 · Serious 4 · Dark 10

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 8 · Stylized 5 · Heightened 3

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 9 · Intense 6

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

A split, not a type: Steady 7 · Shifting 5 · Whiplash 4

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 14 · Some laughs 2 · Funny 0

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 9 · Even-paced 7 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 3 · Engaged 10 · Full focus 3

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 3 · Affecting 2 · Heavy 11

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

Resolved 3 · Open-ended 7 · Ambiguous 6

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
14
Melancholic
9
Dread
7
Contemplative
6
Bittersweet
3
Other
8

How their films linger

Thought-provoking9 titles, browse their movies with this aftertasteUnsettling6 titles, browse their movies with this aftertasteHaunting5 titles, browse their movies with this aftertasteHopeful4 titles, browse their movies with this aftertasteBittersweet2 titles, browse their movies with this aftertasteFeel-good2 titles, browse their movies with this aftertaste

How their films end · 2 with a twist

  • Happy1
  • Bittersweet7
  • Ambiguous8

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Erik Glijnis' films?

As of October 24, 2026, 13 of their 16 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Erik Glijnis' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

16 credits, 16 with a MovieCove page.

  • Beginnings(2025)

    Producer

    Midcredits score: 70th percentile of all films

  • Cologne 75(2025)

    Producer

    Midcredits score: 84th percentile of all films

  • Our Land(2025)

    Producer

    Midcredits score: 89th percentile of all films

  • Skiff(2025)

    Producer

    Midcredits score: 82nd percentile of all films

  • The Birthday Party(2025)

    Producer

    Midcredits score: 11th percentile of all films

  • Mr. K(2024)

    Producer

    Midcredits score: 30th percentile of all films

  • Sebastian(2024)

    Producer

    Midcredits score: 69th percentile of all films

  • Swimming Home(2024)

    Producer

    Midcredits score: 15th percentile of all films

  • Lost in the Night(2023)

    Producer

    Midcredits score: 42nd percentile of all films

  • Milk(2023)

    Producer

    Midcredits score: 36th percentile of all films

  • Rheingold(2022)

    Producer

    Midcredits score: 71st percentile of all films

  • Dead & Beautiful(2021)

    Producer

    Midcredits score: 9th percentile of all films

  • Pleasure(2021)

    Producer

    Midcredits score: 55th percentile of all films

  • Berlin Alexanderplatz(2020)

    Producer

    Midcredits score: 75th percentile of all films

  • Home(2020)

    Producer

    Midcredits score: 61st percentile of all films

  • My Giraffe(2017)

    Producer

    Midcredits score: 62nd percentile of all films

Career shape

Across their 16 MovieCove titles from 2017 to 2025.

Biggest box office

Rheingold (2022)

$9.7M worldwide

Highest rated

Cologne 75 (2025)

Midcredits 84th

Most popular right now

Pleasure (2021)

By role

only this rolewith another role
Producing16 of 16: 16 only producing, 0 with another role · typical Midcredits score62nd

By decade

2010s1 · crew2020s15 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Erik Glijnis' films land?

Their typical MovieCove film has a Midcredits score in the 62nd percentile, the median of all 16; across their 16 films with reception data, the typical film sits in the 63rd percentile for acclaim.

Acclaim · how much people like their films

63rdpercentile
Typical film, the median of 16

Approval · how many liked their films

59thpercentile
Typical film, the median of 16

Reach · how many have seen their films

75thpercentile
Typical film, the median of 16

Midcredits score across 16 titles, by percentile

  • 75th and up4
  • 50th to 74th6
  • 25th to 49th3
  • Below 25th3

Shape of the crowd

9 of their 16 titles are Crowd Pleasers.

  • Crowd Pleaser9
  • Broadly Agreed1
  • Mixed6

Most divisive · producer

Dead & Beautiful (2021)

64th percentile spread · 50% rated it 4 or lower

Most loved · producer

Our Land (2025)

Midcredits 89th · 75% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Erik Glijnis' work okay for kids?

Across up to 5 MovieCove titles with content scores, sex & nudity runs heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore3 titlesmedian 49 · moderateMedian of all films: 44
Sex & Nudity5 titles61–83 · median 67 · intenseheavier than most filmsMedian of all films: 32
Alcohol & Drugs3 titlesmedian 46 · moderateMedian of all films: 33

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Erik Glijnis work with?

People who share at least 2 of Erik Glijnis' MovieCove titles, grouped by what they did on them; Leontine Petit shares the most, 15.

Actors

Composers

Producers