Didac Palou

What are Didac Palou's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Didac Palou's films?

As of October 24, 2026, 4 of their 5 MovieCove titles stream on a subscription or free service.

• Netflix1 title, browse their movies on this service
  • Stolen Vacation (2023) · editor
• The Criterion Channel1 title, browse their movies on this service
  • Summer 1993 (2017) · editor

Subscription and free streaming for Didac Palou's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

5 credits, 5 with a MovieCove page.

• 

  Solo Para Mujeres(2025)

  Show Editor

  Midcredits score: 21st percentile of all shows (provisional, few ratings)~21^st
• 

  Una Película de Amor y Guerra(2024)

  Editor

  Midcredits score: 51st percentile of all films51^st
• 

  Good Savage(2023)

  Editor

  Midcredits score: 58th percentile of all films58^th
• 

  Stolen Vacation(2023)

  Editor

  Midcredits score: 24th percentile of all films24^th
• 

  Summer 1993(2017)

  Editor

  Midcredits score: 89th percentile of all films89^th

Career shape

Across their 5 MovieCove titles from 2017 to 2025.

Biggest box office

Summer 1993 (2017)

$3.1M worldwide

Highest rated

Summer 1993 (2017)

Midcredits 89^th

How do Didac Palou's films land?

Their typical MovieCove film has a Midcredits score in the 55^th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 59^th percentile for acclaim.

Shape of the crowd

2 of their 5 titles are Mixed.

1112

• Divisive1
• Cult Classic1
• Crowd Pleaser1
• Mixed2

Most divisive · editor

Una Película de Amor y Guerra (2024)

90^th percentile spread · 33% rated it 4 or lower

Most loved · editor

Summer 1993 (2017)

Midcredits 89^th · 76% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Didac Palou work with?

People who share at least 2 of Didac Palou's MovieCove titles, grouped by what they did on them; Santiago Mohar Volkow shares the most, 4.