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MovieCove

Greg Epstein

Producer and cinematographer

Works as
Producer and cinematographer
Titles
5 on MovieCove

What are Greg Epstein's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Self and Society.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category

Light 4 · Serious 1 · Dark 0

Grounded 2 · Stylized 3 · Heightened 0

Gentle 1 · Charged 2 · Intense 2

Steady 4 · Shifting 1 · Whiplash 0

Straight-faced 5 · Some laughs 0 · Funny 0

A split, not a type: Slow burn 3 · Even-paced 1 · Relentless 1

Casual 4 · Engaged 1 · Full focus 0

Resolved 5 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Thrilling
4
Joyful
3
Warm
2
Tense
2
Contemplative
2
Other
1

How their films end

  • Happy1
  • Bittersweet1
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Greg Epstein's films?

As of October 24, 2026, 2 of their 5 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Greg Epstein's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

5 credits, 5 with a MovieCove page.

  • Rogue Elements(2017)

    Producer

    Midcredits score: 85th percentile of all films (provisional, few ratings)
  • Almost Ablaze(2014)

    Producer

    Midcredits score: 55th percentile of all films (provisional, few ratings)
  • Way of Life(2013)

    Cinematographer · Producer

  • The Dream Factory(2012)

    Cinematographer · Producer

    Midcredits score: 51st percentile of all films (provisional, few ratings)
  • One for the Road(2011)

    Cinematographer · Producer

    Midcredits score: 85th percentile of all films (provisional, few ratings)

Career shape

Across their 5 MovieCove titles from 2011 to 2017.

By role

only this rolewith another role
Producing5 of 5: 2 only producing, 3 with another roleCinematography3 of 5: 0 only cinematography, 3 with another role

5 titles, 3 with more than one role — producing and cinematography overlap on 3 of them.

Counts over their MovieCove titles; a title counts in every role they held on it.

How do Greg Epstein's films land?

Their typical MovieCove film has a Midcredits score in the 70th percentile, the median of the 4 of 5 with a score; across their 5 films with reception data, the typical film sits in the 75th percentile for acclaim.

Acclaim · how much people like their films

75thpercentile
Typical film, the median of 5

Approval · how many liked their films

58thpercentile
Typical film, the median of 5

Reach · how many have seen their films

4thpercentile
Typical film, the median of 5

Midcredits score across 4 titles, by percentile

  • 75th and up2
  • 50th to 74th2

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Greg Epstein work with?

People who share at least 2 of Greg Epstein's MovieCove titles, grouped by what they did on them; Steve Jones shares the most, 5.

Directors

Actors

Cinematographers and editors

Producers