Thomas Brunner
- Producer
- 3 on MovieCove · 5 credits in all
What are Thomas Brunner's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Survival and Power.
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 2
Light 0 · Serious 1 · Dark 2
Grounded 2 · Stylized 0 · Heightened 1
Gentle 0 · Charged 2 · Intense 1
Steady 1 · Shifting 2 · Whiplash 0
Straight-faced 3 · Some laughs 0 · Funny 0
Slow burn 1 · Even-paced 2 · Relentless 0
Casual 0 · Engaged 2 · Full focus 1
A split, not a type: Easy watch 1 · Affecting 0 · Heavy 2
Resolved 0 · Open-ended 3 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Thomas Brunner's films?
As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service, most on Tubi (2).
Subscription and free streaming for Thomas Brunner's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
5 credits, 3 with a MovieCove page.
My Father, the Prince (not in the MovieCove catalog yet)(2022)
Sally Ride (not in the MovieCove catalog yet)(2021)
This is Congo(2017)
Midcredits score: 92nd percentile of all films
Midcredits score: 49th percentile of all films
Hell and Back Again(2011)
Midcredits score: 67th percentile of all films
Career shape
A full career of 4 titles from 2013 to 2022.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.
How do Thomas Brunner's films land?
Their typical MovieCove film has a Midcredits score in the 67th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 73rd percentile for acclaim.
- 75th and up1
- 50th to 74th1
- 25th to 49th1
Shape of the crowd
None of their 3 titles divides audiences: 1 is Universally Loved.
- Universally Loved1
- Crowd Pleaser1
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Thomas Brunner work with?
People who share at least 2 of Thomas Brunner's MovieCove titles, grouped by what they did on them; Gernot Schaffler shares the most, 3.
Producers
- Gernot SchafflerShared titles: This is Congo (2017), Smash & Grab: The Story of the Pink Panthers (2013), Hell and Back Again (2011)See all 3 shared titles with Gernot Schaffler
- Karol Martesko-FensterShared titles: This is Congo (2017), Smash & Grab: The Story of the Pink Panthers (2013), Hell and Back Again (2011)See all 3 shared titles with Karol Martesko-Fenster
- Mike LernerShared titles: Smash & Grab: The Story of the Pink Panthers (2013), Hell and Back Again (2011)See all 2 shared titles with Mike Lerner
Mixed roles
- Havana MarkingShared titles: Smash & Grab: The Story of the Pink Panthers (2013), Hell and Back Again (2011)See all 2 shared titles with Havana Marking
