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Nia DaCosta

Nia DaCosta

Director, writer, actor and producer · Born November 8, 1989 (36) · Brooklyn, New York City, New York, USA

Sundance award winner

Nia DaCosta (born November 8, 1989) is an American filmmaker. She rose to prominence with her feature-length directorial debut, Little Woods (2018), a crime thriller, which won the Nora Ephron Prize for Female Filmmakers at the Tribeca Film Festival. After working on other projects, most notably directing two episodes of the British thriller series Top Boy in 2019, DaCosta became the first Black female director to debut at No. 1 at the U.S. box office for the weekend opening of the horror film Candyman (2021). She then became the first black woman to direct a Marvel Comics film with The Marvels (2023), which, despite being a box-office bomb, became the highest-grossing film directed by a black woman. Description above from the Wikipedia article Nia DaCosta, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Biography from TMDB.

Born
November 8, 1989 (36)
From
Brooklyn, New York City, New York, USA
Works as
Director, writer, actor and producer
Titles
8 on MovieCove · 15 credits in all
TMDB popularity, last 155 days to Oct 26Up 11% in 30 days

What are Nia DaCosta's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Society and Morality.

Themes

share of theme weight
Society
20%
Morality
18%
Survival
18%
Bonds
17%
Power
13%
Self
11%
Ideas
4%

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 1 · Serious 1 · Dark 4

A split, not a type: Grounded 3 · Stylized 1 · Heightened 2

Gentle 0 · Charged 2 · Intense 4

Steady 2 · Shifting 2 · Whiplash 2

A split, not a type: Straight-faced 4 · Some laughs 1 · Funny 1

Slow burn 1 · Even-paced 3 · Relentless 2

Casual 0 · Engaged 5 · Full focus 1

A split, not a type: Easy watch 1 · Affecting 1 · Heavy 4

A split, not a type: Resolved 3 · Open-ended 2 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
3
Dread
2
Warm
2
Thrilling
2
Bittersweet
2
Other
7

How their films end · 1 with a twist

  • Happy1
  • Bittersweet3
  • Tragic1
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Nia DaCosta's films?

As of October 24, 2026, 7 of their 8 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Nia DaCosta's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

15 credits, 8 with a MovieCove page; 4 appearances as themselves are hidden until asked for.

  • Midcredits score: 88th percentile of all films
  • Hedda(2025)

    Director · Producer · Writer

    Midcredits score: 40th percentile of all films
  • Too Much(2025)

    Show 1 episode · as Jocelyn

    Midcredits score: 23rd percentile of all shows
  • The Marvels(2023)

    Director · Writer

    Midcredits score: 22nd percentile of all films
  • Candyman(2021)

    Director · Screenplay

    Midcredits score: 39th percentile of all films
  • Industry(2020)

    Show 1 episode · as Beye Cyalader

    Midcredits score: 74th percentile of all shows
  • Top Boy (not in the MovieCove catalog yet)(2019)

    Show 2 episodes · Director

  • Little Woods(2018)

    Director · Screenplay

    Midcredits score: 50th percentile of all films
  • Odessa (not in the MovieCove catalog yet)(2014)

    Second Unit Director

  • A Perfect Man(2013)

    Additional Camera

    Midcredits score: 14th percentile of all films
  • Night and Day (not in the MovieCove catalog yet)(2013)

    Director · Editor · Producer

  • Driver (not in the MovieCove catalog yet)

    Director

  • Sex Criminals (not in the MovieCove catalog yet)

    Show 2 episodes · Director

  • Sleeping with the Enemy (not in the MovieCove catalog yet)

    Director · Writer

  • The Water Dancer (not in the MovieCove catalog yet)

    Director

Career shape

A full career of 15 titles, 11 of them dated from 2013 to 2026.

By role

only this rolewith another role
Acting2 of 15: 2 only acting, 0 with another roleDirecting11 of 15: 5 only directing, 6 with another role · typical Midcredits score40thWriting5 of 15: 0 only writing, 5 with another roleProducing2 of 15: 0 only producing, 2 with another roleEditing1 of 15: 0 only editing, 1 with another roleOther crew2 of 15: 2 only other crew, 0 with another role

15 titles, 6 with more than one role — directing and writing overlap on 5 of them.

By decade

2010s5 · crew2020s6 · 2 acting · 4 crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

Won a Sundance award in 2026, Fiction.

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Nia DaCosta's films land?

Their typical MovieCove film has a Midcredits score in the 40th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 52nd percentile for acclaim.

Acclaim · how much people like their films

52ndpercentile
Typical film, the median of 6

Approval · how many liked their films

38thpercentile
Typical film, the median of 6

Reach · how many have seen their films

90thpercentile
Typical film, the median of 6

Midcredits score across 8 titles, by percentile

  • 75th and up1
  • 50th to 74th2
  • 25th to 49th2
  • Below 25th3

Reviewers score the atmosphere 70/100 and the pacing 46/100 in their films, across 5 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Nia DaCosta's work okay for kids?

Across up to 5 MovieCove titles with content scores, 1 of the 5 categories sits near the median of all films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore4 titlesmedian 73 · intenseMedian of all films: 44
Sex & Nudity5 titles15–62 · median 22 · mildnear the median of all filmsMedian of all films: 32
Profanity4 titlesmedian 66 · intenseMedian of all films: 36
Alcohol & Drugs4 titlesmedian 47 · moderateMedian of all films: 33
Frightening / Intense3 titlesmedian 85 · severeMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Nia DaCosta work with?

People who share at least 2 of Nia DaCosta's MovieCove titles, grouped by what they did on them; Sean Bobbitt shares the most, 3.

Actors

Composers, cinematographers and editors