- Director, producer and writer
- 3 on MovieCove · 4 credits in all
What are Steven Pressman's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Morality and Society.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 0 · Serious 1 · Dark 2
Grounded 3 · Stylized 0 · Heightened 0
Gentle 0 · Charged 3 · Intense 0
Steady 3 · Shifting 0 · Whiplash 0
Straight-faced 3 · Some laughs 0 · Funny 0
Slow burn 3 · Even-paced 0 · Relentless 0
Casual 1 · Engaged 2 · Full focus 0
Easy watch 0 · Affecting 2 · Heavy 1
Resolved 2 · Open-ended 1 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Steven Pressman's films?
As of October 24, 2026, all 3 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Steven Pressman's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
4 credits, 3 with a MovieCove page.
Moses Ezekiel: Portrait of a Lost Artist (not in the MovieCove catalog yet)(2024)
The Levys of Monticello(2022)
Midcredits score: 98th percentile of all films (provisional, few ratings)
Holy Silence(2020)
Midcredits score: 73rd percentile of all films (provisional, few ratings)
Midcredits score: 87th percentile of all films
Career shape
A full career of 4 titles from 2013 to 2024.
How do Steven Pressman's films land?
Their typical MovieCove film has a Midcredits score in the 87th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 81st percentile for acclaim.
- 75th and up2
- 50th to 74th1
Shape of the crowd
2 of their 3 titles are Universally Loved.
- Universally Loved2
- Crowd Pleaser1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Steven Pressman work with?
People who share at least 2 of Steven Pressman's MovieCove titles, grouped by what they did on them; Marco D'Ambrosio shares the most, 3.
Composers, cinematographers and editors
- Marco D'AmbrosioShared titles: The Levys of Monticello (2022), Holy Silence (2020), 50 Children: The Rescue Mission of Mr. and Mrs. Kraus (2013)See all 3 shared titles with Marco D'Ambrosio
- Richard LevienShared titles: The Levys of Monticello (2022), Holy Silence (2020)See all 2 shared titles with Richard Levien
- David SperlingShared titles: Holy Silence (2020), 50 Children: The Rescue Mission of Mr. and Mrs. Kraus (2013)See all 2 shared titles with David Sperling
