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Patrick Taylor

Composer

Born in Washington, D.C., into an immigrant family from Guyana, South America, Patrick Taylor began playing his first instrument - the piano- at the age of five. As he gained more exposure to different instruments it became hard for him to play just one; he quickly added the trumpet, xylophone, and timpani to his repertoire. His classical training ranged stylistically from jazz to classical, rock, and R&B. During college he developed a passion for musical genre blending, forming progressive instrumental band Caverns. The music blended progressive rock riffs with classical piano lines to form a highly aggressive yet cinematic sound. The group would become a national touring act that would always leave crowds with one response - "this music should be in a movie!" - peaking the interest into film for the young performer. To get his first film composition opportunity Patrick decided to take a roundabout route. He created his own film company, D dot Films, to network with other like-minded directors. Patrick excelled early at directing and editing and quickly joined very creative circles in Washington's small but aggressive independent film scene. Despite his directorial and editorial success, Patrick's first love remained heightening the emotional quality of film through music. As a co-director, Patrick collaborated with Writer/ Director Cutter Hodierne on various short film and commercial projects but their relationship really took off when he lobbied to work musically for the talented director. The effort paid off in 2012 when Patrick scored the Sundance Award winning short "Fishing without Nets". Patrick would eventually score the feature film under the same name that premiered at Sundance, winning the prestigious director award. Recently, Patrick has been working with other up and coming directors looking to grow his body of work and push him creatively. Patrick was an undergraduate at Tufts University, where he minored in music composition. After college he attended the Omega School for the Recording Arts where he studied MIDI and became Pro Tools certified. During his time at Omega, Bryan Elsom, a former session musician and current creative director for MRB Films, mentored him creatively. It was he who gave Patrick the most insight into what it took to be a professional musician, and seeing talent in the young musician, Patrick earned opportunities to create music for national commercial campaigns and creative art house projects.

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Biography from IMDb.

Works as
Composer
Titles
3 on MovieCove

What are Patrick Taylor's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Morality and Power.

Themes

share of theme weight
Morality
55%
Power
23%
Survival
23%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 3 · Stylized 0 · Heightened 0

Gentle 0 · Charged 2 · Intense 1

Steady 1 · Shifting 2 · Whiplash 0

Straight-faced 1 · Some laughs 2 · Funny 0

A split, not a type: Slow burn 2 · Even-paced 1 · Relentless 0

A split, not a type: Casual 1 · Engaged 2 · Full focus 0

Resolved 0 · Open-ended 3 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
3
Absurd
2
Melancholic
1
Dread
1
Bittersweet
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Patrick Taylor's films?

As of October 24, 2026, 1 of their 3 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Patrick Taylor's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

3 credits, 3 with a MovieCove page.

  • Cold Wallet(2024)

    Composer

    Midcredits score: 21st percentile of all films
  • Espionage Tonight(2017)

    Composer

    Midcredits score: 51st percentile of all films
  • Fishing Without Nets(2014)

    Composer

    Midcredits score: 61st percentile of all films

Career shape

Across a limited sample of 3 MovieCove titles from 2014 to 2024.

By role

only this rolewith another role
Music3 of 3: 3 only music, 0 with another role

By decade

2010s2 · crew2020s1 · crew

Counts over their MovieCove titles; a title counts in every role they held on it.

How do Patrick Taylor's films land?

Their typical MovieCove film has a Midcredits score in the 51st percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 31st percentile for acclaim.

Acclaim · how much people like their films

31stpercentile
Typical film, the median of 3

Approval · how many liked their films

61stpercentile
Typical film, the median of 3

Reach · how many have seen their films

49thpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 50th to 74th2
  • Below 25th1

Reviewers score the sound and music 54/100 in their films, across 3 reviewed titles; fans 72, detractors 43. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Patrick Taylor work with?

People who share at least 2 of Patrick Taylor's MovieCove titles, grouped by what they did on them; Cutter Hodierne shares the most, 2.

Directors

Writers

Composers