Sôta Ôya

What are Sôta Ôya's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Survival and Bonds.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Sôta Ôya's films?

As of October 24, 2026, 8 of their 12 MovieCove titles stream on a subscription or free service, on Crunchyroll (8).

• Crunchyroll8 titles
  • Planetes (2003) · cinematographer
  • Code Geass: Lelouch of the Rebellion I - Initiation (2017) · cinematographer
  • Daily Lives of High School Boys (2012) · cinematographer
  • Code Geass: Akito the Exiled 2 - The Torn-Up Wyvern (2013) · cinematographer
  • Code Geass: Akito the Exiled - The Wyvern Arrives (2012) · cinematographer
  • Code Geass: Akito the Exiled 3 - The Brightness Falls (2015) · cinematographer
  • Code Geass: Akito the Exiled 4 - From the Memories of Hatred (2015) · cinematographer
  • Code Geass: Akito the Exiled Final - To Beloved Ones (2016) · cinematographer

Subscription and free streaming for Sôta Ôya's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks.

Filmography

14 credits, 12 with a MovieCove page.

• 

  Doraemon: Nobita and the New Castle of the Undersea Devil(2026)

  Special Effects

  Midcredits score: 62nd percentile of all films62^nd
• 

  Doraemon the Movie: Nobita's Sky Utopia(2023)

  Special Effects

  Midcredits score: 82nd percentile of all films82^nd
• 

  Eiga Doraemon Nobita no Ritoru Sutâ Wôzu 2021(2022)

  Special Effects

  Midcredits score: 72nd percentile of all films72^nd
• 

  Doraemon the Movie: Nobita's New Dinosaur(2020)

  Special Effects

  Midcredits score: 91st percentile of all films91^st
• 

  Code Geass: Lelouch of the Rebellion I - Initiation(2017)

  Cinematographer

  Midcredits score: 89th percentile of all films89^th
• 

  Code Geass: Akito the Exiled Final - To Beloved Ones(2016)

  Cinematographer

  Midcredits score: 60th percentile of all films60^th
• 

  Code Geass: Akito the Exiled 3 - The Brightness Falls(2015)

  Cinematographer

  Midcredits score: 65th percentile of all films65^th
• 

  Code Geass: Akito the Exiled 4 - From the Memories of Hatred(2015)

  Cinematographer

  Midcredits score: 62nd percentile of all films62^nd
• 

  Code Geass: Akito the Exiled 2 - The Torn-Up Wyvern(2013)

  Cinematographer

  Midcredits score: 72nd percentile of all films72^nd
• 

  Code Geass: Akito the Exiled - The Wyvern Arrives(2012)

  Cinematographer

  Midcredits score: 67th percentile of all films67^th
• 

  Daily Lives of High School Boys(2012)

  Show 12 episodes · Cinematographer

  Midcredits score: 85th percentile of all shows85^th
• 

  Code Geass: Lelouch of the Rebellion (not in the MovieCove catalog yet)(2006)

  Show 25 episodes · Cinematographer
• 

  Gun x Sword (not in the MovieCove catalog yet)(2005)

  Show 26 episodes · Cinematographer
• 

  Planetes(2003)

  Show 26 episodes · Cinematographer

  Midcredits score: 90th percentile of all shows90^th

Career shape

A full career of 9 titles from 2003 to 2026.

Biggest box office

Code Geass: Akito the Exiled 3 - The Brightness Falls (2015)

$835K worldwide

Highest rated

Planetes (2003)

Midcredits 90^th

How do Sôta Ôya's films land?

Their typical MovieCove film has a Midcredits score in the 70^th percentile, the median of all 10; across their 6 films with reception data, the typical film sits in the 68^th percentile for acclaim.

Shape of the crowd

10 of their 12 titles are Crowd Pleasers.

10

• Universally Loved1
• Crowd Pleaser10
• Mixed1

Most loved · cinematographer

Planetes (2003)

Midcredits 90^th · 87% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Sôta Ôya work with?

People who share at least 2 of Sôta Ôya's MovieCove titles, grouped by what they did on them; Gorô Taniguchi shares the most, 7.