Gina Powell
- Producer
- 4 on MovieCove
What are Gina Powell's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
A split, not a type: Light 2 · Serious 0 · Dark 2
A split, not a type: Grounded 3 · Stylized 0 · Heightened 1
A split, not a type: Gentle 1 · Charged 1 · Intense 2
Steady 3 · Shifting 1 · Whiplash 0
Straight-faced 3 · Some laughs 0 · Funny 1
Slow burn 2 · Even-paced 2 · Relentless 0
A split, not a type: Casual 1 · Engaged 1 · Full focus 2
A split, not a type: Easy watch 1 · Affecting 1 · Heavy 2
A split, not a type: Resolved 2 · Open-ended 1 · Ambiguous 1
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Gina Powell's films?
As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Gina Powell's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
4 credits, 4 with a MovieCove page.
10x10(2018)
Midcredits score: 14th percentile of all films
Midcredits score: 83rd percentile of all films
Scottish Mussel(2015)
Midcredits score: 27th percentile of all films
We Are Monster(2014)
Midcredits score: 24th percentile of all films
Career shape
Across a limited sample of 4 MovieCove titles from 2014 to 2018.
Biggest box office
10x10 (2018)
Highest rated
After the Screaming Stops (2018)
Most popular right now
10x10 (2018)
Counts over their MovieCove titles; a title counts in every role they held on it.
How do Gina Powell's films land?
Their typical MovieCove film has a Midcredits score in the 26th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 25th percentile for acclaim.
- 75th and up1
- 25th to 49th1
- Below 25th2
Shape of the crowd
1 of their 4 titles is Cult Classic.
- Cult Classic1
- Crowd Pleaser1
- Broadly Agreed1
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Gina Powell work with?
People who share at least 2 of Gina Powell's MovieCove titles, grouped by what they did on them; Jason Maza shares the most, 3.
Producers
- Jason MazaShared titles: 10x10 (2018), Scottish Mussel (2015), We Are Monster (2014)See all 3 shared titles with Jason Maza
- Noel ClarkeShared titles: 10x10 (2018), Scottish Mussel (2015), We Are Monster (2014)See all 3 shared titles with Noel Clarke
- Phil DoreShared titles: Scottish Mussel (2015), We Are Monster (2014)See all 2 shared titles with Phil Dore