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What are Iris Au-Yeung's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Ideas.

Themes

share of theme weight
Self
44%
Ideas
20%
Bonds
14%
Society
14%
Survival
8%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Light 3 · Serious 0 · Dark 0

A split, not a type: Grounded 2 · Stylized 1 · Heightened 0

Gentle 0 · Charged 3 · Intense 0

Steady 0 · Shifting 3 · Whiplash 0

A split, not a type: Straight-faced 1 · Some laughs 0 · Funny 2

Slow burn 1 · Even-paced 2 · Relentless 0

Casual 2 · Engaged 1 · Full focus 0

Resolved 3 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Joyful
2
Hopeful
2
Warm
2
Contemplative
1
Absurd
1
Other
2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Iris Au-Yeung's films?

As of October 24, 2026, 2 of their 4 MovieCove titles stream on a subscription or free service, on Netflix (2).

Subscription and free streaming for Iris Au-Yeung's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

  • Zero to Hero(2021)

    Producer

    Midcredits score: 75th percentile of all films
  • Chef's Table: France(2016)

    Show Producer

    Midcredits score: 97th percentile of all shows
  • 12 Golden Ducks(2015)

    Producer

    Midcredits score: 6th percentile of all films
  • Golden Chickensss(2014)

    Producer

    Midcredits score: 27th percentile of all films

Career shape

Across a limited sample of 4 MovieCove titles from 2014 to 2021.

By role

only this rolewith another role
Producing4 of 4: 4 only producing, 0 with another role

By decade

2010s3 · crew2020s1 · crew

Counts over their MovieCove titles; a title counts in every role they held on it.

How do Iris Au-Yeung's films land?

Their typical MovieCove film has a Midcredits score in the 27th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 36th percentile for acclaim.

Acclaim · how much people like their films

36thpercentile
Typical film, the median of 3

Approval · how many liked their films

20thpercentile
Typical film, the median of 3

Reach · how many have seen their films

47thpercentile
Typical film, the median of 3

Midcredits score across 4 titles, by percentile

  • 75th and up2
  • 25th to 49th1
  • Below 25th1

Shape of the crowd

None of their 4 titles divides audiences: 2 are Crowd Pleasers.

  • Crowd Pleaser2
  • Mixed2

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Iris Au-Yeung work with?

People who share at least 2 of Iris Au-Yeung's MovieCove titles, grouped by what they did on them; Sandra Ng shares the most, 3.

Directors

Actors

Composers, cinematographers and editors