William Robert Webb III
Producer, also cinematographer
- Producer, also cinematographer
- 4 on MovieCove
What are William Robert Webb III's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Survival.
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 3
Light 0 · Serious 3 · Dark 1
Grounded 2 · Stylized 2 · Heightened 0
Gentle 1 · Charged 2 · Intense 1
A split, not a type: Steady 2 · Shifting 1 · Whiplash 1
Straight-faced 2 · Some laughs 2 · Funny 0
Slow burn 3 · Even-paced 1 · Relentless 0
Casual 1 · Engaged 2 · Full focus 1
Easy watch 3 · Affecting 0 · Heavy 1
Resolved 3 · Open-ended 0 · Ambiguous 1
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch William Robert Webb III's films?
As of October 24, 2026, 2 of their 4 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for William Robert Webb III's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
4 credits, 4 with a MovieCove page.
House of Demons(2018)
Midcredits score: 13th percentile of all films
Midcredits score: 81st percentile of all films
PMS Cop(2014)
Midcredits score: 2nd percentile of all films
The Image Revolution(2014)
Midcredits score: 82nd percentile of all films
Career shape
A full career of 3 titles from 2013 to 2018.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.
How do William Robert Webb III's films land?
Their typical MovieCove film has a Midcredits score in the 47th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 40th percentile for acclaim.
- 75th and up2
- Below 25th2
Shape of the crowd
2 of their 4 titles are Crowd Pleasers.
- Divisive1
- Crowd Pleaser2
- Mixed1
Reviewers score the cinematography 38/100 in their films, across 4 reviewed titles; fans 52, detractors 25. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does William Robert Webb III work with?
People who share at least 2 of William Robert Webb III's MovieCove titles, grouped by what they did on them; Patrick Meaney shares the most, 2.
Directors
- Patrick MeaneyShared titles: House of Demons (2018), The Image Revolution (2014)See all 2 shared titles with Patrick Meaney
Cinematographers
- Jordan RennertShared titles: House of Demons (2018), The Image Revolution (2014)See all 2 shared titles with Jordan Rennert
Producers
- Jonathan McHughShared titles: House of Demons (2018), The Image Revolution (2014)See all 2 shared titles with Jonathan McHugh
- Jonathan PlattShared titles: House of Demons (2018), The Image Revolution (2014)See all 2 shared titles with Jonathan Platt
