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Ian Bawa

Ian Bawa

Director, writer and producer

Works as
Director, writer and producer
Titles
4 on MovieCove

What are Ian Bawa's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Morality.

Themes

share of theme weight
Self
32%
Morality
31%
Bonds
14%
Power
8%
Society
8%
Ideas
6%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 3 · Stylized 0 · Heightened 0

Gentle 1 · Charged 2 · Intense 0

Steady 3 · Shifting 0 · Whiplash 0

Straight-faced 2 · Some laughs 1 · Funny 0

Slow burn 2 · Even-paced 1 · Relentless 0

Casual 2 · Engaged 1 · Full focus 0

A split, not a type: Easy watch 2 · Affecting 0 · Heavy 1

Resolved 1 · Open-ended 1 · Ambiguous 1

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Contemplative
3
Melancholic
2
Tense
1
Dread
1
Hopeful
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Ian Bawa's films?

As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service, most on Tubi (2).

Subscription and free streaming for Ian Bawa's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

  • Strong Son(2026)

    Director · Writer

    Midcredits score: 50th percentile of all films (provisional, few ratings)
  • Death of the Party(2023)

    Show Director

    Midcredits score: 22nd percentile of all shows (provisional, few ratings)
  • Seeking Fire(2022)

    Director · Writer

    Midcredits score: 65th percentile of all films (provisional, few ratings)
  • Tapeworm(2019)

    Producer

    Midcredits score: 17th percentile of all films (provisional, few ratings)

Career shape

Across a limited sample of 4 MovieCove titles from 2019 to 2026.

By role

only this rolewith another role
Directing3 of 4: 1 only directing, 2 with another roleWriting2 of 4: 0 only writing, 2 with another roleProducing1 of 4: 1 only producing, 0 with another role

By decade

2010s1 · crew2020s3 · crew

Counts over their MovieCove titles; a title counts in every role they held on it.

How do Ian Bawa's films land?

Their typical MovieCove film has a Midcredits score in the 50th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 59th percentile for acclaim.

Acclaim · how much people like their films

59thpercentile
Typical film, the median of 3

Approval · how many liked their films

41stpercentile
Typical film, the median of 3

Reach · how many have seen their films

14thpercentile
Typical film, the median of 3

Midcredits score across 4 titles, by percentile

  • 50th to 74th2
  • Below 25th2

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Ian Bawa work with?

People who share at least 2 of Ian Bawa's MovieCove titles, grouped by what they did on them; Markus Henkel shares the most, 3.

Cinematographers and editors

Producers