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What are Raynor Shima's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Survival and Society.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 0 · Stylized 3 · Heightened 1

Gentle 0 · Charged 2 · Intense 2

Steady 0 · Shifting 2 · Whiplash 2

Straight-faced 1 · Some laughs 2 · Funny 1

Slow burn 1 · Even-paced 2 · Relentless 1

Casual 1 · Engaged 3 · Full focus 0

Resolved 0 · Open-ended 3 · Ambiguous 1

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Dread
3
Absurd
2
Thrilling
3
Tense
2
Contemplative
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Raynor Shima's films?

As of October 24, 2026, all 4 MovieCove titles stream on a subscription or free service, most on Tubi (2).

Subscription and free streaming for Raynor Shima's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

  • Satanic Hispanics(2022)

    Producer

    Midcredits score: 36th percentile of all films
  • Bingo Hell(2021)

    Producer

    Midcredits score: 5th percentile of all films
  • The Source of Shadows(2020)

    Producer · Writer

    Midcredits score: 47th percentile of all films
  • ABCs of Death 2.5(2016)

    Producer

    Midcredits score: 10th percentile of all films

Career shape

Across a limited sample of 4 MovieCove titles from 2016 to 2022.

By role

only this rolewith another role
Writing1 of 4: 0 only writing, 1 with another roleProducing4 of 4: 3 only producing, 1 with another role

By decade

2010s1 · crew2020s3 · crew

Counts over their MovieCove titles; a title counts in every role they held on it.

How do Raynor Shima's films land?

Their typical MovieCove film has a Midcredits score in the 23rd percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 16th percentile for acclaim.

Acclaim · how much people like their films

16thpercentile
Typical film, the median of 4

Approval · how many liked their films

22ndpercentile
Typical film, the median of 4

Reach · how many have seen their films

70thpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 25th to 49th2
  • Below 25th2

Reviewers score the plot and story 36/100 in their films, across 4 reviewed titles; fans 53, detractors 23. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Raynor Shima work with?

People who share at least 2 of Raynor Shima's MovieCove titles, grouped by what they did on them; Gigi Saul Guerrero shares the most, 4.

Directors

Writers

Composers and cinematographers