
Garth Stevenson
Composer · Born September 17, 1982 (44) · Kelowna, British Columbia, Canada
New York-based composer, Garth Stevenson, creates music for film, television, and visual media, uniquely drawing his inspiration from nature. Stevenson grew up in the mountains of Western Canada, where he learned to play piano and double bass and cultivated a harmony with the natural elements that surrounded him. His time spent playing his 160-year-old bass in remote locations such as Antarctica and Tuva has inspired three studio albums, Flying, Voyage, and Alpine. He has also played his instrument on more than 50 studio albums for other artists. "So much of my sound and musical vocabulary evolved from the thousands of hours I've spent playing alone in nature," says Stevenson. "Scouting locations, getting lost in the woods, encountering animals-it's all such a journey before I even take my bass out of the case. It's that journey that I hope comes across in the music." Stevenson recently collaborated for the second time with critically-acclaimed director John Curran on the biographical drama Chappaquiddick, starring Kate Mara and Jason Clarke. Curran and Stevenson's first collaboration was on the 2013 dramatic biography, Tracks which featured Mia Wasikowska and Adam Driver. Stevenson lent an anguished beauty to the Antarctic-set drama Red Knot, and sensitively scored the PBS Independent Lens documentary, Young Lakota, a touching story about Native Americans, politics, and abortion. Stevenson also scored the drama Ten Thousand Saints starring Hailee Steinfeld and Ethan Hawke, and the wildly successful Sundance thriller Them That Follow, starring Olivia Coleman, Jim Gaffigan, and Walton Goggins. Stevenson's most recent work is the A24/Amazon Studios documentary Val, a visceral and intimate film chronicling the 40-year career of Val Kilmer, which premiered at the 2021 Cannes International Film Festival.
Read moreShow less
Biography from IMDb.
- September 17, 1982 (44)
- Kelowna, British Columbia, Canada
- Composer
- 15 on MovieCove · 20 credits in all
What are Garth Stevenson's films like?
Across their 14 MovieCove titles with a thematic analysis, their films lean Survival and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 14
Light 2 · Serious 7 · Dark 5
Grounded 12 · Stylized 2 · Heightened 0
Gentle 4 · Charged 9 · Intense 1
Steady 10 · Shifting 4 · Whiplash 0
Straight-faced 13 · Some laughs 1 · Funny 0
Slow burn 11 · Even-paced 3 · Relentless 0
Casual 4 · Engaged 9 · Full focus 1
Easy watch 1 · Affecting 7 · Heavy 6
Resolved 9 · Open-ended 4 · Ambiguous 1
Moods and endings
- Bittersweet10
- Ambiguous2
- Other2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Garth Stevenson's films?
As of October 24, 2026, 9 of their 15 MovieCove titles stream on a subscription or free service, most on Tubi (6).
Subscription and free streaming for Garth Stevenson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
20 credits, 15 with a MovieCove page.

Okay (not in the MovieCove catalog yet)(2026)
Midcredits score: 48th percentile of all films
Relative(2022)
Midcredits score: 75th percentile of all films
Val(2021)
Midcredits score: 94th percentile of all films
Midcredits score: 93rd percentile of all films (provisional, few ratings)
Little Chief (not in the MovieCove catalog yet)(2020)
Rideshare (not in the MovieCove catalog yet)(2019)

Conscience Point (not in the MovieCove catalog yet)(2019)

Them That Follow(2019)
Midcredits score: 25th percentile of all films
The Grizzlies(2018)
Midcredits score: 92nd percentile of all films
Unbreaking America (not in the MovieCove catalog yet)(2019)

Chappaquiddick(2017)
Midcredits score: 59th percentile of all films
Dolphin Man(2017)
Midcredits score: 83rd percentile of all films
Tater Tot & Patton(2017)
Midcredits score: 68th percentile of all films
Seed: The Untold Story(2016)
Midcredits score: 90th percentile of all films
On Meditation(2016)
Midcredits score: 82nd percentile of all films (provisional, few ratings)
Resilience(2016)
Midcredits score: 87th percentile of all films (provisional, few ratings)
Ten Thousand Saints(2015)
Midcredits score: 38th percentile of all films
Red Knot(2014)
Midcredits score: 20th percentile of all films
Tracks(2013)
Midcredits score: 86th percentile of all films
Career shape
A full career of 16 titles from 2013 to 2026.

Biggest box office
Chappaquiddick (2017)

Highest rated
Val (2021)

Most popular right now
Chappaquiddick (2017)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Garth Stevenson's films land?
Their typical MovieCove film has a Midcredits score in the 82nd percentile, the median of all 15; across their 14 films with reception data, the typical film sits in the 77th percentile for acclaim.
- 75th and up9
- 50th to 74th2
- 25th to 49th3
- Below 25th1
Shape of the crowd
8 of their 15 titles are Mixed.
- Universally Loved2
- Crowd Pleaser5
- Mixed8
Reviewers score the sound and music 61/100 in their films, across 7 reviewed titles; fans 69, detractors 47. The element that speaks to their work as a composer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Garth Stevenson's work okay for kids?
Across up to 5 MovieCove titles with content scores, every category sits near the median of all films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Garth Stevenson work with?
People who share at least 2 of Garth Stevenson's MovieCove titles, grouped by what they did on them; Andrew Kightlinger shares the most, 2.
Directors
- Andrew KightlingerShared titles: Lost on a Mountain in Maine (2024), Tater Tot & Patton (2017)See all 2 shared titles with Andrew Kightlinger

- John CurranShared titles: Chappaquiddick (2017), Tracks (2013)See all 2 shared titles with John Curran

Actors
- Bates WilderShared titles: Lost on a Mountain in Maine (2024), Tater Tot & Patton (2017)See all 2 shared titles with Bates Wilder

- Jim GaffiganShared titles: Them That Follow (2019), Chappaquiddick (2017)See all 2 shared titles with Jim Gaffigan

- Olivia ThirlbyShared titles: Chappaquiddick (2017), Red Knot (2014)See all 2 shared titles with Olivia Thirlby
