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MovieCove

Elizabeth Leiter

Producer and director

Works as
Producer and director
Titles
7 on MovieCove · 13 credits in all

What are Elizabeth Leiter's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Power and Society.

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Light 2 · Serious 1 · Dark 0

Grounded 3 · Stylized 0 · Heightened 0

A split, not a type: Gentle 1 · Charged 2 · Intense 0

Steady 3 · Shifting 0 · Whiplash 0

Straight-faced 3 · Some laughs 0 · Funny 0

Slow burn 3 · Even-paced 0 · Relentless 0

Casual 3 · Engaged 0 · Full focus 0

Resolved 3 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Contemplative
6
Tense
3
Hopeful
4
Joyful
1
Cold
1
Other
5

How their films end

  • Happy1
  • Bittersweet1
  • Ambiguous5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Elizabeth Leiter's films?

As of October 24, 2026, 4 of their 7 MovieCove titles stream on a subscription or free service, most on HBO Max (2).

Subscription and free streaming for Elizabeth Leiter's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

13 credits, 7 with a MovieCove page.

  • Grizzly 399: Queen of the Tetons (not in the MovieCove catalog yet)(2024)

    Producer

  • 399: Queen of the Tetons (not in the MovieCove catalog yet)(2024)

    Director · Producer

  • Rising Against Asian Hate: One Day in March (not in the MovieCove catalog yet)(2022)

    Producer

  • Jane Goodall: The Hope(2020)

    Director · Producer

    Midcredits score: 93rd percentile of all films
  • Midcredits score: 93rd percentile of all shows
  • The Abortion Divide (not in the MovieCove catalog yet)(2019)

    Director

  • This Is Home(2018)

    Producer

    Midcredits score: 77th percentile of all films
  • Parched(2017)

    Show Producer

    Midcredits score: 74th percentile of all shows (provisional, few ratings)
  • Midcredits score: 86th percentile of all shows
  • This Is Life with Lisa Ling(2014)

    Show Producer

    Midcredits score: 78th percentile of all shows
  • Miss You Can Do It(2013)

    Producer

    Midcredits score: 92nd percentile of all films
  • God Is the Bigger Elvis (not in the MovieCove catalog yet)(2012)

    Production Assistant

  • Frontline (not in the MovieCove catalog yet)(1983)

    Show 1 episode · Director · Producer

Career shape

A full career of 7 titles from 1983 to 2024.

By role

only this rolewith another role
Directing4 of 7: 1 only directing, 3 with another roleProducing5 of 7: 2 only producing, 3 with another roleOther crew1 of 7: 1 only other crew, 0 with another role

7 titles, 3 with more than one role — producing and directing overlap on 3 of them.

By decade

1980s1 · crew2010s2 · crew2020s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Elizabeth Leiter's films land?

Their typical MovieCove film has a Midcredits score in the 92nd percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 87th percentile for acclaim.

Acclaim · how much people like their films

87thpercentile
Typical film, the median of 3

Approval · how many liked their films

92ndpercentile
Typical film, the median of 3

Reach · how many have seen their films

21stpercentile
Typical film, the median of 3

Midcredits score across 7 titles, by percentile

  • 75th and up6
  • 50th to 74th1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Elizabeth Leiter work with?

People who share at least 2 of Elizabeth Leiter's MovieCove titles, grouped by what they did on them; Eric Strauss shares the most, 2.

Directors

Cinematographers