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Ruben Woodin Dechamps

Cinematographer

Works as
Cinematographer
Titles
3 on MovieCove

What are Ruben Woodin Dechamps' films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Society and Survival.

Themes

share of theme weight
Society
29%
Survival
28%
Ideas
26%
Self
10%
Bonds
7%

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
2
Dread
1
Hopeful
1
Melancholic
2
Contemplative
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Ruben Woodin Dechamps' films?

As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Ruben Woodin Dechamps' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

3 credits, 3 with a MovieCove page.

  • Underland(2025)

    Cinematographer

    Midcredits score: 53rd percentile of all films
  • The Enfield Poltergeist(2023)

    Show Cinematographer

    Midcredits score: 27th percentile of all shows
  • The Reason I Jump(2020)

    Cinematographer

    Midcredits score: 89th percentile of all films

Career shape

Across a limited sample of 3 MovieCove titles from 2020 to 2025.

By role

only this rolewith another role
Cinematography3 of 3: 3 only cinematography, 0 with another role

Counts over their MovieCove titles; a title counts in every role they held on it.

Who does Ruben Woodin Dechamps work with?

People who share at least 2 of Ruben Woodin Dechamps' MovieCove titles, grouped by what they did on them; Jerry Rothwell shares the most, 2.

Directors

Producers