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Yûya Satoyoshi

Producer

Works as
Producer
Titles
9 on MovieCove · 13 credits in all
TMDB popularity, last 157 days to Oct 28Up 1% in 30 days

What are Yûya Satoyoshi's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Themes

share of theme weight
Morality
27%
Bonds
24%
Self
21%
Survival
10%
Society
10%
Ideas
7%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Grounded 2 · Stylized 1 · Heightened 1

Gentle 0 · Charged 1 · Intense 3

Steady 2 · Shifting 2 · Whiplash 0

Straight-faced 2 · Some laughs 2 · Funny 0

Slow burn 0 · Even-paced 2 · Relentless 2

Casual 2 · Engaged 2 · Full focus 0

A split, not a type: Resolved 3 · Open-ended 0 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
4
Thrilling
2
Contemplative
2
Warm
1
Bittersweet
1
Other
2

How their films end · 4 with a twist

  • Bittersweet3
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Yûya Satoyoshi's films?

As of October 24, 2026, 6 of their 9 MovieCove titles stream on a subscription or free service, most on Netflix (5).

Subscription and free streaming for Yûya Satoyoshi's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

13 credits, 9 with a MovieCove page.

  • Kingdom 5: The Clash of Souls (not in the MovieCove catalog yet)(2026)

    Producer

  • Midcredits score: 69th percentile of all films
  • Midcredits score: 90th percentile of all films
  • Golden Kamuy(2024)

    Producer

    Midcredits score: 69th percentile of all films
  • Midcredits score: 78th percentile of all films
  • Noise(2022)

    Producer

    Midcredits score: 49th percentile of all films
  • The Door Into Summer(2021)

    Producer

    Midcredits score: 60th percentile of all films
  • Nemesis(2021)

    Show Producer

    Midcredits score: 12th percentile of all shows (provisional, few ratings)
  • A Life Turned Upside Down: My Dad's an Alcoholic (not in the MovieCove catalog yet)(2020)

    Producer

  • The World of Machida-kun (not in the MovieCove catalog yet)(2019)

    Producer

  • ReLIFE(2017)

    Producer

    Midcredits score: 66th percentile of all films
  • To Give a Dream (not in the MovieCove catalog yet)(2015)

    Show 4 episodes · Associate Producer

  • No Touching at All(2014)

    Line Producer

    Midcredits score: 66th percentile of all films

Career shape

A full career of 12 titles from 2014 to 2026.

By role

only this rolewith another role
Producing12 of 12: 12 only producing, 0 with another role · typical Midcredits score68th

By decade

2010s4 · crew2020s8 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Yûya Satoyoshi's films land?

Their typical MovieCove film has a Midcredits score in the 68th percentile, the median of all 8; across a limited sample of 4 films with reception data, the typical film sits in the 74th percentile for acclaim.

Acclaim · how much people like their films

74thpercentile
Typical film, the median of 4

Approval · how many liked their films

59thpercentile
Typical film, the median of 4

Reach · how many have seen their films

74thpercentile
Typical film, the median of 4

Midcredits score across 9 titles, by percentile

  • 75th and up2
  • 50th to 74th5
  • 25th to 49th1
  • Below 25th1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Yûya Satoyoshi work with?

People who share at least 2 of Yûya Satoyoshi's MovieCove titles, grouped by what they did on them; Shinzô Matsuhashi shares the most, 3.

Writers

Actors

Composers

Producers