Kô Nakamura

What are Kô Nakamura's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Kô Nakamura's films?

As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Kô Nakamura's titles on MovieCove; rent and buy are not counted.

Filmography

4 credits, 4 with a MovieCove page.

• 

  BanG Dream! Episode of Roselia I: Promise(2021)

  Writer

  Midcredits score: 83rd percentile of all films83^rd
• 

  BanG Dream! Episode of Roselia II: Song I am.(2021)

  Writer

  Midcredits score: 86th percentile of all films86^th
• 

  Bang Dream! Film Live 2nd Stage(2021)

  Writer

  Midcredits score: 78th percentile of all films78^th
• 

  Crying 100 Times: Every Raindrop Falls(2013)

  Writer

  Midcredits score: 41st percentile of all films (provisional, few ratings)~41^st

Career shape

Across a limited sample of 4 MovieCove titles from 2013 to 2021.

Biggest box office

Crying 100 Times: Every Raindrop Falls (2013)

$7.1M worldwide

Most popular right now

BanG Dream! Episode of Roselia II: Song I am. (2021)

How do Kô Nakamura's films land?

Their typical MovieCove film has a Midcredits score in the 81^st percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 82^nd percentile for acclaim.

Shape of the crowd

3 of their 4 titles are Mixed.

13

• Divisive1
• Mixed3

Most divisive · writer

Bang Dream! Film Live 2nd Stage (2021)

92^nd percentile spread · 23% rated it 4 or lower

Most loved · writer

BanG Dream! Episode of Roselia II: Song I am. (2021)

Midcredits 86^th · 74% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Kô Nakamura work with?

People who share at least 2 of Kô Nakamura's MovieCove titles, grouped by what they did on them; Kôdai Kakimoto shares the most, 3.