Mark D. Todd

What are Mark D. Todd's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Survival.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Mark D. Todd's films?

As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service, most on HBO Max (2).

• HBO Max2 titles, browse their movies on this service
  • Nightingale (2014) · composer
  • Aftermath (2017) · composer
• Prime Video1 title, browse their movies on this service
  • Sleepwalker (2017) · composer
• Tubi1 title, browse their movies on this service
  • Sleepwalker (2017) · composer · free

Subscription and free streaming for Mark D. Todd's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

• 

  Aftermath(2017)

  Composer

  Midcredits score: 26th percentile of all films26^th
• 

  Sleepwalker(2017)

  Composer

  Midcredits score: 19th percentile of all films19^th
• 

  Nightingale(2014)

  Composer

  Midcredits score: 60th percentile of all films60^th
• 

  Keith Lemon: The Film(2012)

  Composer

  Midcredits score: 1st percentile of all films1^st

Career shape

A full career of 3 titles from 2012 to 2017.

Biggest box office

Keith Lemon: The Film (2012)

$4.7M worldwide

Highest rated

Nightingale (2014)

Midcredits 60^th

Most popular right now

Aftermath (2017)

How do Mark D. Todd's films land?

Their typical MovieCove film has a Midcredits score in the 23^rd percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 29^th percentile for acclaim.

Shape of the crowd

2 of their 4 titles are Mixed.

112

• Crowd Pleaser1
• Broadly Agreed1
• Mixed2

Most divisive · composer

Keith Lemon: The Film (2012)

69^th percentile spread · 77% rated it 4 or lower

Most loved · composer

Nightingale (2014)

Midcredits 60^th · 55% liked

Reviewers score the sound and music 55/100 in their films, across 3 reviewed titles; fans 76, detractors 20. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Mark D. Todd work with?

People who share at least 2 of Mark D. Todd's MovieCove titles, grouped by what they did on them; Elliott Lester shares the most, 3.