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Manon Ardisson

Producer

BAFTA Award nominee

BAFTA-nominated producer Manon Ardisson (God's Own Country) established production company Ardimages UK in 2016 and runs it with award-winning producer Chiara Ventura (Romantic Comedy). We prioritise diverse, female-driven films that challenge the norm and spearhead change through entertainment. Having received a Vision Award in 2020, the company is supported by the BFI's Film Fund. In 2017, Ardimages UK was named by Screen International one of the British production companies on the rise as part of their Brit 50 special. Additionally, Manon co-runs the Mother Tongues Award, a development initiative for UK-based feature films in a language other than English, which is supported by sales agent Charades, UK distributor Curzon, and creative agency Intermission Film.

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Biography from IMDb.

Works as
Producer
Titles
4 on MovieCove

What are Manon Ardisson's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Survival and Self.

Themes

share of theme weight
Survival
25%
Self
21%
Bonds
18%
Society
17%
Morality
12%
Ideas
7%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 1 · Dark 3

Grounded 3 · Stylized 1 · Heightened 0

Gentle 0 · Charged 2 · Intense 2

Steady 1 · Shifting 2 · Whiplash 1

Straight-faced 3 · Some laughs 1 · Funny 0

Slow burn 2 · Even-paced 2 · Relentless 0

Casual 2 · Engaged 2 · Full focus 0

Easy watch 0 · Affecting 1 · Heavy 3

Resolved 2 · Open-ended 2 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Melancholic
3
Tense
2
Hopeful
3
Triumphant
1
Joyful
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Manon Ardisson's films?

As of October 24, 2026, all 4 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Subscription and free streaming for Manon Ardisson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

  • Kneecap(2024)

    Producer

    Midcredits score: 97th percentile of all films
  • Fortitude(2020)

    Producer

    Midcredits score: 56th percentile of all films
  • God's Own Country(2017)

    Producer

    Midcredits score: 97th percentile of all films
  • La Soledad(2016)

    Producer

    Midcredits score: 60th percentile of all films

Career shape

Across a limited sample of 4 MovieCove titles from 2016 to 2024.

By role

only this rolewith another role
Producing4 of 4: 4 only producing, 0 with another role

By decade

2010s2 · crew2020s2 · crew

Counts over their MovieCove titles; a title counts in every role they held on it.

Awards

Nominated for a BAFTA Award in 2018, Outstanding British Film of the Year.

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Manon Ardisson's films land?

Their typical MovieCove film has a Midcredits score in the 79th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 82nd percentile for acclaim.

Acclaim · how much people like their films

82ndpercentile
Typical film, the median of 4

Approval · how many liked their films

77thpercentile
Typical film, the median of 4

Reach · how many have seen their films

67thpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 75th and up2
  • 50th to 74th2

Shape of the crowd

None of their 4 titles divides audiences: 2 are Universally Loved.

  • Universally Loved2
  • Crowd Pleaser1
  • Mixed1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Manon Ardisson work with?

People who share at least 2 of Manon Ardisson's MovieCove titles, grouped by what they did on them; Jorge Thielen Armand shares the most, 2.

Directors

Writers

Editors

Producers