Kim Dong-yeong

What are Kim Dong-yeong's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Kim Dong-yeong's films?

As of October 24, 2026, 4 of their 6 MovieCove titles stream on a subscription or free service, most on Tubi (4).

• Tubi4 titles, browse their movies on this service
  • A Man and a Woman (2016) · cinematographer · free
  • Helpless (2012) · cinematographer · free
  • The Divine Move (2014) · cinematographer · free
  • Hidden Face (2024) · cinematographer · free
• The Roku Channel1 title, browse their movies on this service
  • A Man and a Woman (2016) · cinematographer · free

Subscription and free streaming for Kim Dong-yeong's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

6 credits, 6 with a MovieCove page.

• 

  Hidden Face(2024)

  Cinematographer

  Midcredits score: 46th percentile of all films46^th
• 

  Monstrum(2018)

  Cinematographer

  Midcredits score: 48th percentile of all films48^th
• 

  A Man and a Woman(2016)

  Cinematographer

  Midcredits score: 73rd percentile of all films73^rd
• 

  The Divine Move(2014)

  Cinematographer

  Midcredits score: 68th percentile of all films68^th
• 

  All About My Wife(2012)

  Cinematographer

  Midcredits score: 67th percentile of all films67^th
• 

  Helpless(2012)

  Cinematographer

  Midcredits score: 71st percentile of all films71^st

Career shape

Across their 6 MovieCove titles from 2012 to 2024.

Biggest box office

All About My Wife (2012)

$29M worldwide

Highest rated

A Man and a Woman (2016)

Midcredits 73^rd

Most popular right now

Hidden Face (2024)

How do Kim Dong-yeong's films land?

Their typical MovieCove film has a Midcredits score in the 68^th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 68^th percentile for acclaim.

Shape of the crowd

None of their 6 titles divides audiences: 4 are Crowd Pleasers.

411

• Crowd Pleaser4
• Broadly Agreed1
• Mixed1

Most loved · cinematographer

A Man and a Woman (2016)

Midcredits 73^rd · 66% liked

Reviewers score the cinematography 72/100 in their films, across 5 reviewed titles; fans 76, detractors 58. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Kim Dong-yeong work with?

People who share at least 2 of Kim Dong-yeong's MovieCove titles, grouped by what they did on them; Kim In-kwon shares the most, 2.