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Burak Oskay

Burak Oskay

Producer

Burak Oskay ( 1988, Istanbul) is a Turkish film producer .He spent his childhood in Alanya before returning to Istanbul for higher education. Initially studying Physics at Istanbul University, Oskay later switched to Economics. In 2009, he began his career as part of the production team at PTOT Films, starting with commercials. In the early stages of his career, Oskay worked as a location best boy and second unit production manager for Taken 2 directed by Olivier Megaton. From 2014 to 2016, he served as a production manager on Consequences and as a unit production manager on My Mother's Wound. As a line producer, Oskay has played a pivotal role in several successful Netflix original films, including One Way to Tomorrow (2020), Last Summer (2021), Don't Leave (directed by Ozan Açiktan), and Last Call for Istanbul (2022-New York-Istanbul). He also produced She Said Yes for Netflix Germany. Over the past decade, Oskay has produced numerous short films, feature films, and over 350 TV commercials. He continues to produce both feature films and commercials at his company, New Age Productions.

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Biography from IMDb.

Works as
Producer
Titles
5 on MovieCove

What are Burak Oskay's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category

Light 3 · Serious 1 · Dark 1

A split, not a type: Grounded 3 · Stylized 2 · Heightened 0

Gentle 2 · Charged 3 · Intense 0

Steady 3 · Shifting 2 · Whiplash 0

Straight-faced 3 · Some laughs 2 · Funny 0

Slow burn 3 · Even-paced 2 · Relentless 0

Casual 4 · Engaged 0 · Full focus 1

A split, not a type: Easy watch 3 · Affecting 1 · Heavy 1

Resolved 3 · Open-ended 1 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Romantic
4
Contemplative
2
Melancholic
2
Hopeful
2
Bittersweet
2
Other
2

How their films end

  • Bittersweet3
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Burak Oskay's films?

As of October 24, 2026, all 5 MovieCove titles stream on a subscription or free service, on Netflix (5).

Subscription and free streaming for Burak Oskay's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

5 credits, 5 with a MovieCove page.

  • She Said Maybe(2025)

    Producer

    Midcredits score: 13th percentile of all films
  • Midcredits score: 26th percentile of all films
  • Don't Leave(2022)

    Producer

    Midcredits score: 27th percentile of all films
  • Last Summer(2021)

    Producer

    Midcredits score: 44th percentile of all films
  • One-Way to Tomorrow(2020)

    Producer

    Midcredits score: 28th percentile of all films

Career shape

Across their 5 MovieCove titles from 2020 to 2025.

By role

only this rolewith another role
Producing5 of 5: 5 only producing, 0 with another role · typical Midcredits score27th

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Burak Oskay's films land?

Their typical MovieCove film has a Midcredits score in the 27th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 28th percentile for acclaim.

Acclaim · how much people like their films

28thpercentile
Typical film, the median of 5

Approval · how many liked their films

29thpercentile
Typical film, the median of 5

Reach · how many have seen their films

84thpercentile
Typical film, the median of 5

Midcredits score across 5 titles, by percentile

  • 25th to 49th4
  • Below 25th1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Burak Oskay work with?

People who share at least 2 of Burak Oskay's MovieCove titles, grouped by what they did on them; Sebnem Kitis shares the most, 4.

Directors

Writers

Actors

Editors

Producers