Kazumi Satake

What are Kazumi Satake's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Society and Power.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Kazumi Satake's films?

As of October 28, 2026, none of Kazumi Satake's 4 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Kazumi Satake's titles on MovieCove; rent and buy are not counted.

Filmography

4 credits, 4 with a MovieCove page.

• 

  Kakegurui: The Movie(2019)

  Producer

  Midcredits score: 59th percentile of all films59^th
• 

  A Stitch of Life(2015)

  Producer

  Midcredits score: 44th percentile of all films44^th
• 

  Miss Zombie(2013)

  Producer

  Midcredits score: 51st percentile of all films51^st
• 

  See You Tomorrow, Everyone(2013)

  Producer

  Midcredits score: 75th percentile of all films75^th

Career shape

Across a limited sample of 4 MovieCove titles from 2013 to 2019.

Biggest box office

Kakegurui: The Movie (2019)

$2.6M worldwide

Highest rated

Miss Zombie (2013)

Midcredits 51^st

How do Kazumi Satake's films land?

Their typical MovieCove film has a Midcredits score in the 55^th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 61^st percentile for acclaim.

Shape of the crowd

3 of their 4 titles are Mixed.

13

• Crowd Pleaser1
• Mixed3

Most divisive · producer

Kakegurui: The Movie (2019)

64^th percentile spread · 19% rated it 4 or lower

Most loved · producer

See You Tomorrow, Everyone (2013)

Midcredits 75^th · 66% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Kazumi Satake work with?

People who share at least 2 of Kazumi Satake's MovieCove titles, grouped by what they did on them; Yasushi Udagawa shares the most, 4.