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Juan Carlos Enriquez

Juan Carlos Enriquez

Composer · Guadalajara, Jalisco, Mexico

Juan Carlos Enriquez is a multi-instrumentalist composer from Guadalajara, Mexico. He is a three-time CLIO award-winner, two-time Hollywood Music In Media Awards (HMMA) nominated composer, and a selected participant of the prestigious Recording Academy's "GRAMMY Next" Program. In addition, Juan Carlos has composed additional music for Golden Globe and BAFTA nominated projects. Most recently, he scored NBCUniversal's first Spanish-speaking streaming show on Peacock, 'Til Jail Do Us Part (named Armas de Mujer on HBO Max Latin America), starring Kate del Castillo (The Book of Life). The series features a score recorded at the legendary Capitol Studios in Hollywood, CA and uses a musical palette that evokes a playful, fresh, and lighthearted aesthetic that aims to represent a modern-day diverse Miami. He also scored the Netflix thriller series The Secret of the Greco Family, which features custom made instruments commissioned by Juan Carlos, and found sound based rhythms and textures made with house-hold items, door locks, and chains, that reference the series' dark and disturbing true story drama. Other notable recent credits include the HBO Max feature film Can't Quit Mom, and a Microsoft produced video game promotional short film for Forza Horizon 5 starring Cristo Fernandez (Ted Lasso) and Colombian reggaeton star, Karol G. Juan Carlos musical contributions can be heard on projects produced by acclaimed filmmakers such as Darren Aronofsky, Robert Rodriguez, Cary Joji Fukunaga, Roberto Orci, Chris Morgan, Leonardo DiCaprio, Matt Damon, Ben Affleck, Damon Lindelof, David Fincher, Alex Gibney, Jose Padilha, Jorge R. Gutierrez, Los Perez, and The Duplass Brothers. Some of his selected credits include Netflix's Maya and The Three, Narcos, What Happened To Monday and Biohackers, HBO's TIGER, Universal's Furious 7 and The Fate of the Furious, Sony's The Girl In The Spider's Web and Robocop, Lionsgate's The Commuter, CBS' Coyote and Magnum P.I., Ubisoft's Far Cry 6, Electronic Arts' Need for Speed: Heat, Amazon's The Boy from Medellin, Paramount's xXx: Return of Xander Cage, FOX's Lethal Weapon, advertising campaigns for Microsoft, Gatorade, Adobe, McDonald's, INTUIT Turbo Tax, Anheuser-Busch, The Recording Academy (GRAMMYs), as well as four Super Bowl commercials for Ernst & Young, YouTube, the NFL, and most recently, Michelob ULTRA, for a spot produced by the iconic ad agency Wieden+Kennedy, starring Sucession's Brian Cox and tennis legend Serena Williams.

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Biography from IMDb.

From
Guadalajara, Jalisco, Mexico
Works as
Composer
Titles
13 on MovieCove

What are Juan Carlos Enriquez's films like?

Across their 13 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

What they feel like to watch

their average across 11 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 7 · Serious 2 · Dark 2

Grounded 9 · Stylized 2 · Heightened 0

Gentle 4 · Charged 5 · Intense 2

Steady 4 · Shifting 6 · Whiplash 1

Straight-faced 4 · Some laughs 6 · Funny 1

Slow burn 4 · Even-paced 7 · Relentless 0

Casual 8 · Engaged 3 · Full focus 0

Resolved 9 · Open-ended 2 · Ambiguous 0

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Juan Carlos Enriquez's films?

As of October 24, 2026, 11 of their 13 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Juan Carlos Enriquez's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

13 credits, 13 with a MovieCove page.

Career shape

Across their 13 MovieCove titles from 2019 to 2026.

By role

only this rolewith another role
Music13 of 13: 13 only music, 0 with another role · typical Midcredits score44th

By decade

2010s1 · crew2020s12 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Juan Carlos Enriquez's films land?

Their typical MovieCove film has a Midcredits score in the 50th percentile, the median of all 11; across their 11 films with reception data, the typical film sits in the 61st percentile for acclaim.

Acclaim · how much people like their films

61stpercentile
Typical film, the median of 11

Approval · how many liked their films

35thpercentile
Typical film, the median of 11

Reach · how many have seen their films

54thpercentile
Typical film, the median of 11

Midcredits score across 13 titles, by percentile

  • 75th and up1
  • 50th to 74th5
  • 25th to 49th3
  • Below 25th4

Reviewers score the sound and music 38/100 in their films, across 3 reviewed titles; fans 60, detractors 23. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Juan Carlos Enriquez work with?

People who share at least 2 of Juan Carlos Enriquez's MovieCove titles, grouped by what they did on them; Jennevie Olivieri-Lopez shares the most, 5.

Directors

Actors

Cinematographers

Producers