
Juan Carlos Enriquez
Composer · Guadalajara, Jalisco, Mexico
Juan Carlos Enriquez is a multi-instrumentalist composer from Guadalajara, Mexico. He is a three-time CLIO award-winner, two-time Hollywood Music In Media Awards (HMMA) nominated composer, and a selected participant of the prestigious Recording Academy's "GRAMMY Next" Program. In addition, Juan Carlos has composed additional music for Golden Globe and BAFTA nominated projects. Most recently, he scored NBCUniversal's first Spanish-speaking streaming show on Peacock, 'Til Jail Do Us Part (named Armas de Mujer on HBO Max Latin America), starring Kate del Castillo (The Book of Life). The series features a score recorded at the legendary Capitol Studios in Hollywood, CA and uses a musical palette that evokes a playful, fresh, and lighthearted aesthetic that aims to represent a modern-day diverse Miami. He also scored the Netflix thriller series The Secret of the Greco Family, which features custom made instruments commissioned by Juan Carlos, and found sound based rhythms and textures made with house-hold items, door locks, and chains, that reference the series' dark and disturbing true story drama. Other notable recent credits include the HBO Max feature film Can't Quit Mom, and a Microsoft produced video game promotional short film for Forza Horizon 5 starring Cristo Fernandez (Ted Lasso) and Colombian reggaeton star, Karol G. Juan Carlos musical contributions can be heard on projects produced by acclaimed filmmakers such as Darren Aronofsky, Robert Rodriguez, Cary Joji Fukunaga, Roberto Orci, Chris Morgan, Leonardo DiCaprio, Matt Damon, Ben Affleck, Damon Lindelof, David Fincher, Alex Gibney, Jose Padilha, Jorge R. Gutierrez, Los Perez, and The Duplass Brothers. Some of his selected credits include Netflix's Maya and The Three, Narcos, What Happened To Monday and Biohackers, HBO's TIGER, Universal's Furious 7 and The Fate of the Furious, Sony's The Girl In The Spider's Web and Robocop, Lionsgate's The Commuter, CBS' Coyote and Magnum P.I., Ubisoft's Far Cry 6, Electronic Arts' Need for Speed: Heat, Amazon's The Boy from Medellin, Paramount's xXx: Return of Xander Cage, FOX's Lethal Weapon, advertising campaigns for Microsoft, Gatorade, Adobe, McDonald's, INTUIT Turbo Tax, Anheuser-Busch, The Recording Academy (GRAMMYs), as well as four Super Bowl commercials for Ernst & Young, YouTube, the NFL, and most recently, Michelob ULTRA, for a spot produced by the iconic ad agency Wieden+Kennedy, starring Sucession's Brian Cox and tennis legend Serena Williams.
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Biography from IMDb.
- Guadalajara, Jalisco, Mexico
- Composer
- 13 on MovieCove
What are Juan Carlos Enriquez's films like?
Across their 13 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 10
A split, not a type: Light 7 · Serious 2 · Dark 2
Grounded 9 · Stylized 2 · Heightened 0
Gentle 4 · Charged 5 · Intense 2
Steady 4 · Shifting 6 · Whiplash 1
Straight-faced 4 · Some laughs 6 · Funny 1
Slow burn 4 · Even-paced 7 · Relentless 0
Casual 8 · Engaged 3 · Full focus 0
Easy watch 4 · Affecting 6 · Heavy 1
Resolved 9 · Open-ended 2 · Ambiguous 0
Moods and endings
- Happy5
- Bittersweet7
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Juan Carlos Enriquez's films?
As of October 24, 2026, 11 of their 13 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Juan Carlos Enriquez's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
13 credits, 13 with a MovieCove page.

Collision(2026)
Midcredits score: 9th percentile of all shows
Familia a la Deriva(2026)
Midcredits score: 24th percentile of all films
Midcredits score: 59th percentile of all films
Midcredits score: 50th percentile of all films
Midcredits score: 75th percentile of all films
Intercambiadas(2024)
Midcredits score: 54th percentile of all films
¿Quieres ser mi... hijo?(2023)
Midcredits score: 62nd percentile of all films
Atrapadas en Familia(2023)
Midcredits score: 44th percentile of all films (provisional, few ratings)
You, Me & Her(2023)
Midcredits score: 21st percentile of all films
Midcredits score: 30th percentile of all shows
Jailbreak Lovers(2022)
Midcredits score: 30th percentile of all films
Las Vocales(2022)
Midcredits score: 71st percentile of all films (provisional, few ratings)
Dating to Kill(2019)
Midcredits score: 10th percentile of all films
Career shape
Across their 13 MovieCove titles from 2019 to 2026.
How do Juan Carlos Enriquez's films land?
Their typical MovieCove film has a Midcredits score in the 50th percentile, the median of all 11; across their 11 films with reception data, the typical film sits in the 61st percentile for acclaim.
- 75th and up1
- 50th to 74th5
- 25th to 49th3
- Below 25th4
Shape of the crowd
8 of their 13 titles are Mixed.
- Cult Classic4
- Crowd Pleaser1
- Mixed8
Reviewers score the sound and music 38/100 in their films, across 3 reviewed titles; fans 60, detractors 23. The element that speaks to their work as a composer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Juan Carlos Enriquez work with?
People who share at least 2 of Juan Carlos Enriquez's MovieCove titles, grouped by what they did on them; Jennevie Olivieri-Lopez shares the most, 5.
Directors
- Ihtzi HurtadoShared titles: Will You Be My Girlfriend?. (2026), ¿Quieres ser mi... hijo? (2023)See all 2 shared titles with Ihtzi Hurtado

Actors
- Ana Gonzalez BelloShared titles: Familia a la Deriva (2026), Intercambiadas (2024), Las Vocales (2022)See all 3 shared titles with Ana Gonzalez Bello

- Andrés ZunoShared titles: Will You Be My Girlfriend?. (2026), ¿Quieres ser mi... hijo? (2023)See all 2 shared titles with Andrés Zuno

- Harold AzuaraShared titles: Will You Be My Girlfriend?. (2026), ¿Quieres ser mi... hijo? (2023)See all 2 shared titles with Harold Azuara
- Juanpa ZuritaShared titles: Will You Be My Girlfriend?. (2026), ¿Quieres ser mi... hijo? (2023)See all 2 shared titles with Juanpa Zurita

Cinematographers
- Daniel AnguianoShared titles: Will You Be My Girlfriend?. (2026), ¿Quieres ser mi... hijo? (2023)See all 2 shared titles with Daniel Anguiano

Producers
- Jennevie Olivieri-LopezShared titles: Will You Be My Girlfriend?. (2026), Intercambiadas (2024), ¿Quieres ser mi... hijo? (2023), Atrapadas en Familia (2023), Las Vocales (2022)See all 5 shared titles with Jennevie Olivieri-Lopez
- Cesar RodriguezShared titles: Will You Be My Girlfriend?. (2026), ¿Quieres ser mi... hijo? (2023), Atrapadas en Familia (2023), Las Vocales (2022)See all 4 shared titles with Cesar Rodriguez

- Mauricio ArgüellesShared titles: Will You Be My Girlfriend?. (2026), ¿Quieres ser mi... hijo? (2023), Atrapadas en Familia (2023), Las Vocales (2022)See all 4 shared titles with Mauricio Argüelles

- Talía BustamanteShared titles: Intercambiadas (2024), ¿Quieres ser mi... hijo? (2023), Atrapadas en Familia (2023), Las Vocales (2022)See all 4 shared titles with Talía Bustamante

