Jan du Plessis

What are Jan du Plessis' films like?

Across their 14 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jan du Plessis' films?

As of October 24, 2026, 10 of their 14 MovieCove titles stream on a subscription or free service, most on Tubi (8).

• Tubi8 titles, browse their movies on this service
  • Ballade vir 'n Enkeling (2015) · producer · free
  • Alison (2016) · producer · free
  • Road to your Heart (2014) · producer · free
  • Desert Rose (2022) · producer · free
  • Glasshouse (2021) · producer · free
  • Devil's Peak (2023) · producer · free
  • Gaia (2021) · producer · free
  • The Tokoloshe (2018) · producer · free
• Prime Video3 titles, browse their movies on this service
  • Alison (2016) · producer
  • Desert Rose (2022) · producer
  • Glasshouse (2021) · producer
• The Roku Channel3 titles, browse their movies on this service
  • Alison (2016) · producer · free
  • Road to your Heart (2014) · producer · free
  • Desert Rose (2022) · producer · free
• Disney+1 title, browse their movies on this service
  • Trackers (2019) · producer

Subscription and free streaming for Jan du Plessis' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

14 credits, 14 with a MovieCove page.

• 

  Devil's Peak(2023)

  Show Producer

  Midcredits score: 34th percentile of all shows34^th
• 

  Desert Rose(2022)

  Show Producer

  Midcredits score: 49th percentile of all shows49^th
• 

  Mr. Bones 3: Son of Bones(2022)

  Producer

  Midcredits score: 35th percentile of all films35^th
• 

  Gaia(2021)

  Producer

  Midcredits score: 32nd percentile of all films32^nd
• 

  Glasshouse(2021)

  Producer

  Midcredits score: 47th percentile of all films47^th
• 

  Lioness(2021)

  Show Producer

  Midcredits score: 78th percentile of all shows78^th
• 

  Vlugtig(2021)

  Producer

  Midcredits score: 83rd percentile of all films (provisional, few ratings)~83^rd
• 

  Trackers(2019)

  Show Producer

  Midcredits score: 28th percentile of all shows28^th
• 

  The Seagull(2018)

  Producer

  Midcredits score: 70th percentile of all films (provisional, few ratings)~70^th
• 

  The Tokoloshe(2018)

  Producer

  Midcredits score: 10th percentile of all films10^th
• 

  Alison(2016)

  Producer

  Midcredits score: 88th percentile of all films88^th
• 

  Shepherds and Butchers(2016)

  Producer

  Midcredits score: 70th percentile of all films70^th
• 

  Ballade vir 'n Enkeling(2015)

  Producer

  Midcredits score: 91st percentile of all films91^st
• 

  Road to your Heart(2014)

  Producer

  Midcredits score: 73rd percentile of all films73^rd

Career shape

Across their 14 MovieCove titles from 2014 to 2023.

Biggest box office

Road to your Heart (2014)

$1.1M worldwide

Highest rated

Alison (2016)

Midcredits 88^th

Most popular right now

Gaia (2021)

How do Jan du Plessis' films land?

Their typical MovieCove film has a Midcredits score in the 70^th percentile, the median of all 10; across their 10 films with reception data, the typical film sits in the 64^th percentile for acclaim.

Shape of the crowd

5 of their 14 titles are Mixed.

235

• Universally Loved2
• Loved with Detractors1
• Divisive1
• Cult Classic1
• Crowd Pleaser3
• Broadly Agreed1
• Mixed5

Most divisive · producer

Mr. Bones 3: Son of Bones (2022)

96^th percentile spread · 33% rated it 4 or lower

Most loved · producer

Ballade vir 'n Enkeling (2015)

Midcredits 91^st · 84% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Jan du Plessis work with?

People who share at least 2 of Jan du Plessis' MovieCove titles, grouped by what they did on them; Kaye Ann Williams shares the most, 9.