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Mariane Hartard

Producer

Mariane Hartard is a journalist who has worked as an executive producer for film and television at Fabula for 16 years, where she has developed remarkable projects like the film "Tony Manero", premiered at the Cannes Film Festival; "No", nominated for Best Foreign Film at the 85th Academy Awards; "Gloria", nominated for Best Spanish-language Foreign Film at the 2013 Goya Awards and a winner at the 2013 Ariel Awards as Best Ibero-American Film; "A Fantastic Woman", winner of the Best Foreign Film Academy Award, nominated as Best Foreign Language Film at the Golden Globes and a winner at the 2017 Goya Awards 2017 as Best Spanish-language Foreign Film. Currently, she works as a television project director at Fabula, where she has served as executive produced for several shows like "El Presidente" (Prime Video); "Señorita 89" (StarzPlay); "La Jauría 2" (Prime Video); "42 días en la oscuridad" (Netflix) y "El Refugio" (StarzPlay).

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Biography from IMDb.

Works as
Producer
Titles
19 on MovieCove · 27 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 157 days to Oct 28Down 18% in 30 days

What are Mariane Hartard's films like?

Across their 15 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Themes

share of theme weight
Self
34%
Bonds
19%
Survival
18%
Morality
12%
Society
9%
Power
5%
Ideas
2%
Identity6 titles, browse their movies with this themeFamily bonds5 titles, browse their movies with this themeGrief3 titles, browse their movies with this themeSelf-worth2 titles, browse their movies with this themeJustice3 titles, browse their movies with this themeSurvival2 titles, browse their movies with this themePurpose2 titles, browse their movies with this themeObsession2 titles, browse their movies with this theme

What they feel like to watch

their average across 11 films
ToneFeelDemandtheir average · filled zone: the category
Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 7 · Stylized 2 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 7 · Intense 3

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 3 · Shifting 7 · Whiplash 1

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 6 · Some laughs 4 · Funny 1

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 7 · Even-paced 4 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 2 · Engaged 9 · Full focus 0

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 1 · Affecting 4 · Heavy 6

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

Resolved 1 · Open-ended 8 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
12
Melancholic
9
Dread
6
Hopeful
3
Bittersweet
2
Other
7

How their films linger

Unsettling6 titles, browse their movies with this aftertasteThought-provoking6 titles, browse their movies with this aftertasteBittersweet5 titles, browse their movies with this aftertasteHopeful4 titles, browse their movies with this aftertasteHaunting3 titles, browse their movies with this aftertasteWistful2 titles, browse their movies with this aftertaste

How their films end · 3 with a twist

  • Happy1
  • Bittersweet4
  • Tragic2
  • Ambiguous8

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Mariane Hartard's films?

As of October 24, 2026, 18 of their 19 MovieCove titles stream on a subscription or free service, most on Netflix (7).

Also on these channels

Subscription and free streaming for Mariane Hartard's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

27 credits, 19 with a MovieCove page.

  • Someone Has to Know(2026)

    Show Producer

    Midcredits score: 6th percentile of all shows

  • 50 Seconds: The Fernando Báez Sosa Case(2025)

    Show 3 episodes · Executive Producer

    Midcredits score: 51st percentile of all shows

  • Eterno: 100 años de Colo-Colo (not in the MovieCove catalog yet)(2025)

    Executive Producer

  • In Her Place(2024)

    Executive Producer

    Midcredits score: 77th percentile of all films

  • Midnight Family(2024)

    Show 10 episodes · Executive Producer

    Midcredits score: 57th percentile of all shows

  • The Doomsday Cult of Antares De La Luz(2024)

    Producer

    Midcredits score: 54th percentile of all films

  • 42 Days of Darkness(2022)

    Show 6 episodes · Executive Producer

    Midcredits score: 28th percentile of all shows

  • La Jauría(2019)

    Show 8 episodes · Executive Producer

    Midcredits score: 21st percentile of all shows

  • Nobody Knows I'm Here(2020)

    Executive Producer

    Midcredits score: 68th percentile of all films

  • Ema(2019)

    Executive Producer

    Midcredits score: 70th percentile of all films

  • Mi amigo Alexis (not in the MovieCove catalog yet)(2019)

    Executive Producer

  • Princesita (not in the MovieCove catalog yet)(2017)

    Executive Producer

  • A Fantastic Woman(2017)

    Producer

    Midcredits score: 86th percentile of all films

  • Neruda(2016)

    Executive Producer

    Midcredits score: 75th percentile of all films

  • Nasty Baby(2015)

    Executive Producer

    Midcredits score: 36th percentile of all films

  • The 33(2015)

    Production Coordinator

    Midcredits score: 71st percentile of all films

  • The Club(2015)

    Executive Producer

    Midcredits score: 86th percentile of all films

  • Crystal Fairy & the Magical Cactus(2013)

    Executive Producer

    Midcredits score: 46th percentile of all films

  • The Year of the Tiger (not in the MovieCove catalog yet)(2013)

    Executive Producer

  • Gloria(2013)

    Executive Producer

    Midcredits score: 77th percentile of all films

  • The Office Trip (not in the MovieCove catalog yet)(2012)

    Executive Producer

  • No(2012)

    Executive Producer

    Midcredits score: 94th percentile of all films

  • Young & Wild(2012)

    Executive Producer

    Midcredits score: 47th percentile of all films

  • Ulises (not in the MovieCove catalog yet)(2011)

    Executive Producer

  • Post Mortem (not in the MovieCove catalog yet)(2010)

    Executive Producer

  • Blocks (not in the MovieCove catalog yet)(2010)

    Executive Producer

  • Tony Manero(2008)

    Executive Producer

    Midcredits score: 74th percentile of all films

Career shape

A full career of 24 titles from 2008 to 2025.

Biggest box office

No (2012)

$7.7M worldwide

Highest rated

No (2012)

Midcredits 94th

Most popular right now

A Fantastic Woman (2017)

By role

only this rolewith another role
Producing23 of 24: 23 only producing, 0 with another role · typical Midcredits score68thOther crew1 of 24: 1 only other crew, 0 with another role

By decade

2000s1 · crew2010s16 · crew2020s7 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Mariane Hartard's films land?

Their typical MovieCove film has a Midcredits score in the 73rd percentile, the median of all 14; across their 11 films with reception data, the typical film sits in the 75th percentile for acclaim.

Acclaim · how much people like their films

75thpercentile
Typical film, the median of 11

Approval · how many liked their films

71stpercentile
Typical film, the median of 11

Reach · how many have seen their films

81stpercentile
Typical film, the median of 11

Midcredits score across 19 titles, by percentile

  • 75th and up6
  • 50th to 74th7
  • 25th to 49th4
  • Below 25th2

Shape of the crowd

9 of their 19 titles are Crowd Pleasers.

  • Universally Loved1
  • Universally Panned1
  • Crowd Pleaser9
  • Broadly Agreed1
  • Mixed7

Most divisive · producer

La Jauría (2019)

81st percentile spread · 32% rated it 4 or lower

Most loved · producer

No (2012)

Midcredits 94th · 83% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Mariane Hartard's work okay for kids?

Across up to 7 MovieCove titles with content scores, sex & nudity runs heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Sex & Nudity7 titles50–83 · median 70 · intenseheavier than most filmsMedian of all films: 32
Frightening / Intense3 titlesmedian 56 · moderateMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Mariane Hartard work with?

People who share at least 2 of Mariane Hartard's MovieCove titles, grouped by what they did on them; Pablo Larraín shares the most, 15.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers