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Miro Kepinski

Miro Kepinski

Composer · Born July 27, 1980 (46)

Miro Kepinski is a HMMA-nominated film composer, producer, performer and unique musician who has been playing and composing for several years with guitar, piano and sitar. Graduating from a Classical Music school in Mlawa, Poland as Musician Instrumentalist (Classical Guitar), he then expanded his musical knowledge by enrolling at the Jazz faculty of the Academy of Music in Katowice, Poland, graduating with the title 'Bachelor of Art'. Miro has gone on to enjoy a career playing a broad palette of musical styles including classical, rock and electronic. Miro composes mainly for film and his compositions can be heard in productions all over the world from Sydney to Los Angeles. AWARDS: 2018 ADAM BRATCHER AWARD / Feature Film Score Debut for 'In This Gray Place' at Polish Film Festival Los Angeles ORIGINAL SCORE - INDEPENDENT FILM (nominee) for 'In This Gray Place' at Hollywood Music in Media Awards 2019 Asia Pacific GOLDEN AWARD / BEST MUSIC for 'Lord Finn' at Asia Pacific International Filmmaker Festival, Jakarta, Indonesia Winner - Best Original Music/Score for 'The Wounds We Cannot See' at Los Angeles Independent Film Festival Awards Award of Recognition - Music Score for 'The Wounds We Cannot See' at Hollywood International Moving Pictures Film Festival Award of Recognition - Music Score for 'The Wounds We Cannot See' at Hollywood International Independent Documentary Awards Outstanding Achievement Award - Film Score - Soundtrack for 'The Wounds We Cannot See' at Calcutta International Cult Film Festival Nominee - CRYSTAL PINE, BEST ORIGINAL SCORE / FEATURE for 'In This Gray Place' at International Sound & Film Music Festival Nominee - BEST SCORE for 'In This Gray Place' at Hollywood Dreamz International Film Festival and Writers' Celebration Nominee - BEST SCORE for 'Before the Thunder' at Prison City Film Festival

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Biography from IMDb.

Born
July 27, 1980 (46)
Works as
Composer
Titles
6 on Motif · 16 credits in all
TMDB popularity, last 157 days to Oct 28Down 19% in 30 days

What are Miro Kepinski's films like?

Across their 6 Motif titles with a thematic analysis, their films lean Morality and Survival.

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category

Light 1 · Serious 1 · Dark 4

Grounded 4 · Stylized 2 · Heightened 0

Gentle 0 · Charged 1 · Intense 5

Steady 1 · Shifting 5 · Whiplash 0

Straight-faced 5 · Some laughs 0 · Funny 1

Slow burn 0 · Even-paced 6 · Relentless 0

Casual 1 · Engaged 5 · Full focus 0

Easy watch 1 · Affecting 1 · Heavy 4

Resolved 4 · Open-ended 2 · Ambiguous 0

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Miro Kepinski's films?

As of October 24, 2026, 5 of their 6 Motif titles stream on a subscription or free service, most on Netflix (3).

Subscription and free streaming for Miro Kepinski's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

16 credits, 6 with a Motif page.

  • Inside Furioza(2025)

    Composer

    Midcredits score: 56th percentile of all films
  • Simple Case (not in the Motif catalog yet)(2024)

    Show 6 episodes · Composer · Music Producer

  • Magic Ticket (not in the Motif catalog yet)(2023)

    Composer

  • Lesson Plan(2022)

    Composer · Music Producer

    Midcredits score: 16th percentile of all films
  • Suicide for Beginners(2022)

    Composer

    Midcredits score: 56th percentile of all films
  • Furioza(2021)

    Composer

    Midcredits score: 56th percentile of all films
  • Prudence (not in the Motif catalog yet)(2021)

    Composer

  • He Comes at Night (not in the Motif catalog yet)(2021)

    Composer

  • Hyper Dark (not in the Motif catalog yet)(2020)

    Composer

  • Arlo (not in the Motif catalog yet)(2019)

    Composer

  • In This Gray Place(2018)

    Composer

    Midcredits score: 52nd percentile of all films
  • Hello (not in the Motif catalog yet)(2017)

    Composer

  • Midcredits score: 66th percentile of all films (provisional, few ratings)
  • Happy Birthday (not in the Motif catalog yet)(2017)

    Composer

  • The Bag (not in the Motif catalog yet)(2015)

    Composer

  • Soul Hunter (not in the Motif catalog yet)

    Director

Career shape

A full career of 16 titles, 15 of them dated from 2015 to 2025.

By role

only this rolewith another role
Directing1 of 16: 1 only directing, 0 with another roleMusic15 of 16: 15 only music, 0 with another role · typical Midcredits score56th

By decade

2010s6 · crew2020s9 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on Motif, shown from 5 scored.

How do Miro Kepinski's films land?

Their typical Motif film has a Midcredits score in the 56th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 40th percentile for acclaim.

Acclaim · how much people like their films

40thpercentile
Typical film, the median of 6

Approval · how many liked their films

61stpercentile
Typical film, the median of 6

Reach · how many have seen their films

76thpercentile
Typical film, the median of 6

Midcredits score across 6 titles, by percentile

  • 50th to 74th5
  • Below 25th1

Reviewers score the sound and music 54/100 in their films, across 5 reviewed titles; fans 73, detractors 28. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Miro Kepinski work with?

People who share at least 2 of Miro Kepinski's Motif titles, grouped by what they did on them; Cyprian T. Olencki shares the most, 2.

Directors

Actors

Producers