
James Rhodes
- Cinematographer
- 14 on MovieCove · 18 credits in all
What are James Rhodes' films like?
Across their 10 MovieCove titles with a thematic analysis, their films lean Self and Society.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 8
Light 5 · Serious 1 · Dark 2
A split, not a type: Grounded 5 · Stylized 2 · Heightened 1
Gentle 2 · Charged 4 · Intense 2
Steady 5 · Shifting 3 · Whiplash 0
Straight-faced 5 · Some laughs 2 · Funny 1
A split, not a type: Slow burn 4 · Even-paced 3 · Relentless 1
Casual 6 · Engaged 2 · Full focus 0
Easy watch 5 · Affecting 2 · Heavy 1
Resolved 6 · Open-ended 2 · Ambiguous 0
Moods and endings
- Happy4
- Bittersweet5
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch James Rhodes' films?
As of October 24, 2026, 9 of their 14 MovieCove titles stream on a subscription or free service, most on Netflix (2).
- BritBox
Subscription and free streaming for James Rhodes' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
18 credits, 14 with a MovieCove page.

Heartstopper Forever(2026)
Midcredits score: 75th percentile of all films
California Schemin'(2025)
Midcredits score: 71st percentile of all films
Midcredits score: 99th percentile of all films
Midcredits score: 89th percentile of all films
Midcredits score: 99th percentile of all films
Wonka(2023)
Midcredits score: 76th percentile of all films
Femme(2023)
Midcredits score: 90th percentile of all films
Midcredits score: 96th percentile of all films
The Rising(2022)
Midcredits score: 37th percentile of all shows
Femme (not in the MovieCove catalog yet)(2021)

Adele: One Night Only(2021)
Midcredits score: 98th percentile of all films
Chronos (not in the MovieCove catalog yet)(2019)
Midcredits score: 89th percentile of all films
There She Goes(2018)
Midcredits score: 93rd percentile of all shows
iBoy(2017)
Midcredits score: 32nd percentile of all films
See in Blue (not in the MovieCove catalog yet)(2016)

Notes on Blindness (not in the MovieCove catalog yet)(2016)

Breakdown(2016)
Midcredits score: 31st percentile of all films
Career shape
A full career of 13 titles from 2016 to 2026.

Biggest box office
California Schemin' (2025)

Highest rated
Dua Lipa Live from Mexico (2026)

Most popular right now
Heartstopper Forever (2026)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do James Rhodes' films land?
Their typical MovieCove film has a Midcredits score in the 89th percentile, the median of all 12; across their 8 films with reception data, the typical film sits in the 95th percentile for acclaim.
- 75th and up10
- 50th to 74th1
- 25th to 49th3
Shape of the crowd
6 of their 14 titles are Crowd Pleasers.
- Universally Loved3
- Cult Classic1
- Crowd Pleaser6
- Broadly Agreed1
- Mixed3
Reviewers score the cinematography 72/100 in their films, across 5 reviewed titles; fans 77, detractors 44. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does James Rhodes work with?
People who share at least 2 of James Rhodes' MovieCove titles, grouped by what they did on them; Paul Dugdale shares the most, 4.
Directors
- Paul DugdaleShared titles: Dua Lipa Live from Mexico (2026), Raye - My 21st Century Symphony (2024), Elton John Live: Farewell from Dodger Stadium (2022), Adele: One Night Only (2021)See all 4 shared titles with Paul Dugdale

Cinematographers and editors
- Brett TurnbullShared titles: Dua Lipa Live from Mexico (2026), Elton John Live: Farewell from Dodger Stadium (2022)See all 2 shared titles with Brett Turnbull
- James CollettShared titles: Dua Lipa Live from Mexico (2026), Adele: One Night Only (2021)See all 2 shared titles with James Collett
- Simon BryantShared titles: Dua Lipa Live from Mexico (2026), Adele: One Night Only (2021)See all 2 shared titles with Simon Bryant
- Tim WoolcottShared titles: Dua Lipa Live from Mexico (2026), Raye - My 21st Century Symphony (2024)See all 2 shared titles with Tim Woolcott
Producers
- Adam SlemonShared titles: Elton John Live: Farewell from Dodger Stadium (2022), Adele: One Night Only (2021)See all 2 shared titles with Adam Slemon

- Alexandra PapaShared titles: Elton John Live: Farewell from Dodger Stadium (2022), Adele: One Night Only (2021)See all 2 shared titles with Alexandra Papa
- Amanda AhmadShared titles: Elton John Live: Farewell from Dodger Stadium (2022), Adele: One Night Only (2021)See all 2 shared titles with Amanda Ahmad

- Ben WinstonShared titles: Elton John Live: Farewell from Dodger Stadium (2022), Adele: One Night Only (2021)See all 2 shared titles with Ben Winston

