Atsushi Saitô

What are Atsushi Saitô's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Atsushi Saitô's films?

As of October 27, 2026, none of Atsushi Saitô's 3 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Atsushi Saitô's titles on MovieCove; rent and buy are not counted.

Filmography

3 credits, 3 with a MovieCove page.

• 

  Doraemon: Nobita and the Space Heroes(2015)

  Producer

  Midcredits score: 71st percentile of all films71^st
• 

  Doraemon: Nobita's Secret Gadget Museum(2013)

  Producer

  Midcredits score: 90th percentile of all films90^th
• 

  Doraemon: Nobita and the Island of Miracles ~Animal Adventure~(2012)

  Producer

  Midcredits score: 80th percentile of all films80^th

Career shape

Across a limited sample of 3 MovieCove titles from 2012 to 2015.

Biggest box office

Doraemon: Nobita and the Island of Miracles ~Animal Adventure~ (2012)

$46M worldwide

Highest rated

Doraemon: Nobita's Secret Gadget Museum (2013)

Midcredits 90^th

How do Atsushi Saitô's films land?

Their typical MovieCove film has a Midcredits score in the 80^th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 76^th percentile for acclaim.

Shape of the crowd

None of their 3 titles divides audiences: 2 are Crowd Pleasers.

12

• Universally Loved1
• Crowd Pleaser2

Most loved · producer

Doraemon: Nobita's Secret Gadget Museum (2013)

Midcredits 90^th · 81% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Atsushi Saitô work with?

People who share at least 2 of Atsushi Saitô's MovieCove titles, grouped by what they did on them; Fujio F. Fujiko shares the most, 3.