Yoshikazu Kumagai

What are Yoshikazu Kumagai's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Yoshikazu Kumagai's films?

As of October 24, 2026, 9 of their 10 MovieCove titles stream on a subscription or free service, most on Crunchyroll (9).

• Crunchyroll9 titles
  • The Boy and the Beast (2015) · producer
  • The World's Greatest First Love: The Case of Takafumi Yokozawa (2014) · producer
  • Another (2012) · producer
  • Heaven's Lost Property the Movie: The Angeloid of Clockwork (2011) · producer
  • Date a Live (2013) · producer
  • Heaven's Lost Property Final: Eternal My Master (2014) · producer
  • Problem Children Are Coming from Another World, Aren't They? (2013) · producer
  • Is this a Zombie? (2011) · producer
  • Itsuka Tenma no Kuro Usagi (2011) · producer
• HBO Max1 title, browse their movies on this service
  • The Boy and the Beast (2015) · producer

Subscription and free streaming for Yoshikazu Kumagai's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 10 with a MovieCove page.

• 

  Rudolf the Black Cat(2016)

  Producer

  Midcredits score: 74th percentile of all films74^th
• 

  The Boy and the Beast(2015)

  Producer

  Midcredits score: 96th percentile of all films96^th
• 

  Heaven's Lost Property Final: Eternal My Master(2014)

  Producer

  Midcredits score: 61st percentile of all films61^st
• 

  The World's Greatest First Love: The Case of Takafumi Yokozawa(2014)

  Producer

  Midcredits score: 88th percentile of all films88^th
• 

  Date a Live(2013)

  Show 10 episodes · Executive Producer

  Midcredits score: 64th percentile of all shows64^th
• 

  Problem Children Are Coming from Another World, Aren't They?(2013)

  Show 10 episodes · Executive Producer

  Midcredits score: 44th percentile of all shows44^th
• 

  Another(2012)

  Show 12 episodes · Producer

  Midcredits score: 78th percentile of all shows78^th
• 

  Itsuka Tenma no Kuro Usagi(2011)

  Show 12 episodes · Producer

  Midcredits score: 2nd percentile of all shows (provisional, few ratings)~2^nd
• 

  Heaven's Lost Property the Movie: The Angeloid of Clockwork(2011)

  Producer

  Midcredits score: 76th percentile of all films76^th
• 

  Is this a Zombie?(2011)

  Show 22 episodes · Producer

  Midcredits score: 39th percentile of all shows39^th

Career shape

A full career of 6 titles from 2011 to 2013.

Biggest box office

The Boy and the Beast (2015)

$50M worldwide

Highest rated

The Boy and the Beast (2015)

Midcredits 96^th

How do Yoshikazu Kumagai's films land?

Their typical MovieCove film has a Midcredits score in the 76^th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 72^nd percentile for acclaim.

Shape of the crowd

4 of their 10 titles are Crowd Pleasers.

44

• Universally Loved1
• Cult Classic1
• Crowd Pleaser4
• Mixed4

Most divisive · producer

Heaven's Lost Property Final: Eternal My Master (2014)

76^th percentile spread · 18% rated it 4 or lower

Most loved · producer

The Boy and the Beast (2015)

Midcredits 96^th · 85% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Yoshikazu Kumagai work with?

People who share at least 2 of Yoshikazu Kumagai's MovieCove titles, grouped by what they did on them; Takeshi Yasuda shares the most, 3.