Born in Houston, Texas, Althria has always been an entertainer at heart. Being an only child for 17 years before the birth of her sister, she found companionship within the confines of her vivid imagination. Althria's love of writing, watching science fiction and horror on television, and going to the movies, cultivated and stimulated her love of the arts. As a child, a good day at home meant that she was able to perform uninterrupted the opening production for the Academy Awards, accompanied by John Williams' Star Wars soundtrack blaring in the background, with the sofa and love seat for an audience. In high school, Althria was active in the Drama Club, Choir, and Stage Band, as well as a member of the Dance Team. With her father a popular local R&B singer and bass player, and her mother working for the postal service and an alto singer for a church group, Althria was constantly surrounded by music and entertainment. Althria is also the niece of Alma Newsom, who is one of the first African-American female television anchors. Althria was taught to dream big, aim high, and do her best in everything. She was and is also her own worst critic. Althria's desire was always to be a writer and an actress, even completing her own science fiction story in middle school which has undergone a lifetime of rewrites. Despite her pull to entertainment at an early age, Althria went on to become a wife, mother, and then a single-parent whose sole purpose was being a good provider for her two children while maintaining her sanity. She resigned herself to working behind a desk in Corporate America because, in her mind, that is what a responsible parent did. Having been instilled with a high sense of integrity, Althria eagerly absorbed everything that her various employers had to offer - taking the things that she needed to grow, while filing the rest. Still there was a hunger in her that would not be satisfied. At the time, she did not realize that the traits imbued in her during that season would later be used to fulfill her heart's desire long after she thought that opportunity had come and gone. Since dreams delayed are not necessarily dreams denied, Althria was able to rediscover her destiny by supporting her son, Keith R. Berry II, in his debut film - Mark Cantu's "Now Hiring". The acting bug had indeed been passed on to her son, while her daughter Ashleigh found her niche as an Air Traffic Controller with a passion for cooking. Having lost her second husband, Michael, to pancreatic cancer in 2013, Althria found being on the San Antonio film set very therapeutic as she worked through her grief. Going from Associate Producer to Executive Producer and extra in the film, Althria was now operating in her element, being able to contribute not only the talents from Corporate America, but also her natural acting abilities borne from being a lonely only child with a huge imagination who believed the sky was the limit. Althria Berry-Goebel is coming on the scene as a force to be reckoned with both as a producer with an innate eye for detail, Keith's manager, as well as an actress in her own right. She has just completed the lead role as Mrs. Elizabeth in the holiday drama "The Pastor's Daughter", a cameo appearance in a music video, and is now in negotiations for her recently completed screen play entitled "Heart of a Hit Man".
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Biography from IMDb.
- Producer and actor
- 3 on MovieCove
What are Althria Berry-Goebel's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 2
Light 2 · Serious 1 · Dark 0
Grounded 1 · Stylized 2 · Heightened 0
Gentle 1 · Charged 2 · Intense 0
Steady 2 · Shifting 1 · Whiplash 0
A split, not a type: Straight-faced 1 · Some laughs 0 · Funny 2
Slow burn 2 · Even-paced 1 · Relentless 0
Casual 3 · Engaged 0 · Full focus 0
Easy watch 1 · Affecting 2 · Heavy 0
Resolved 3 · Open-ended 0 · Ambiguous 0
Roles they play
- Shadowas Patriarch (minister) in The Pastor's Daughters (2016)
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Althria Berry-Goebel's films?
As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service, most on Tubi (2).
Subscription and free streaming for Althria Berry-Goebel's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
3 credits, 3 with a MovieCove page.

Average Joe(2021)
Midcredits score: 2nd percentile of all films
The Pastor's Daughters(2016)
Midcredits score: 7th percentile of all films (provisional, few ratings)
Now Hiring(2014)
Midcredits score: 20th percentile of all films (provisional, few ratings)
Career shape
Across a limited sample of 3 MovieCove titles from 2014 to 2021.
How do Althria Berry-Goebel's films land?
Their typical MovieCove film has a Midcredits score in the 7th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 10th percentile for acclaim.
- Below 25th3
Shape of the crowd
2 of their 3 titles are Mixed.
- Divisive1
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Althria Berry-Goebel work with?
People who share at least 2 of Althria Berry-Goebel's MovieCove titles, grouped by what they did on them; Mark Cantu shares the most, 2.
Directors
- Mark CantuShared titles: Average Joe (2021), Now Hiring (2014)See all 2 shared titles with Mark Cantu

Actors
- Akasha VillalobosShared titles: Average Joe (2021), Now Hiring (2014)See all 2 shared titles with Akasha Villalobos

- Caitlin Rose WilliamsShared titles: Average Joe (2021), Now Hiring (2014)See all 2 shared titles with Caitlin Rose Williams

- Camden ToyShared titles: Average Joe (2021), Now Hiring (2014)See all 2 shared titles with Camden Toy

- Jason ScarbroughShared titles: Average Joe (2021), Now Hiring (2014)See all 2 shared titles with Jason Scarbrough
Producers
- Ann Hollingsworth PatrieShared titles: Average Joe (2021), Now Hiring (2014)See all 2 shared titles with Ann Hollingsworth Patrie
- Ashleigh BerryShared titles: Average Joe (2021), Now Hiring (2014)See all 2 shared titles with Ashleigh Berry
- Chris PatrieShared titles: Average Joe (2021), Now Hiring (2014)See all 2 shared titles with Chris Patrie
- Elizabeth CantuShared titles: Average Joe (2021), Now Hiring (2014)See all 2 shared titles with Elizabeth Cantu
Mixed roles
- James ChapmanShared titles: Average Joe (2021), Now Hiring (2014)See all 2 shared titles with James Chapman

